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21st Century Spanish Guitar Music Vol 1 / Adam Levin

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21st Century Spanish Guitar Music Vol 1 / Adam Levin

This first of four volumes represents award-winning guitarist Adam Levin’s major collaboration with the new century’s ‘Spanish Masters’. Bridges to the past include medieval sources in the Secuencia Sefardita and Baroque in the unconventional variations of Handeliana. These stand alongside pastoral scenes in Viento de Primavera and a celebration of AlbĂ©niz from Leonardo Balada. From contemplative moods to spectacular virtuosity, this is a musical voyage both unexpected and unforgettable. Adam Levin has been acclaimed for his ‘enviable technique’ and a ‘high musicianship which shines like a beacon through his performances’. (Classical Guitar magazine)

This first of four volumes represents award-winning guitarist Adam Levin’s major collaboration with the new century’s ‘Spanish Masters’. Bridges to the past include medieval sources in the Secuencia Sefardita and Baroque in the unconventional variations of Handeliana. These stand alongside pastoral scenes in Viento de Primavera and a celebration of AlbĂ©niz from Leonardo Balada. From contemplative moods to spectacular virtuosity, this is a musical voyage both unexpected and unforgettable. Adam Levin has been acclaimed for his ‘enviable technique’ and a ‘high musicianship which shines like a beacon through his performances’. (Classical Guitar magazine)

$19.99
21st Century Spanish Guitar Music Vol 1 / Adam Levin—
$19.99

Description

This first of four volumes represents award-winning guitarist Adam Levin’s major collaboration with the new century’s ‘Spanish Masters’. Bridges to the past include medieval sources in the Secuencia Sefardita and Baroque in the unconventional variations of Handeliana. These stand alongside pastoral scenes in Viento de Primavera and a celebration of AlbĂ©niz from Leonardo Balada. From contemplative moods to spectacular virtuosity, this is a musical voyage both unexpected and unforgettable. Adam Levin has been acclaimed for his ‘enviable technique’ and a ‘high musicianship which shines like a beacon through his performances’. (Classical Guitar magazine)