
Alwyn: Fantasy-waltzes, 12 Preludes / John Ogdon
This is a perceptively played and admirably recorded performance of two substantial piano works by William Alwyn, who died last September at the age of 79. The 11 Fantasy-Waltzes are notable for their variety within an integrated conception, and this is also true of the 12 Preludes, both works encompassing a wide range of modern piano-writing techniques. John Ogdon is naturally a match for the technical demands of the music and, since he tells us in the sleeve-note that he recorded the 58-minute programme in the presence of the composer and his wife, we may take it that a high degree of authenticity to the composer's intentions has been achieved. With excellent sound balance and documentation, this is a disc to treasure.
-- Gramophone [11/1985, reviewing the original LP release]
This is a perceptively played and admirably recorded performance of two substantial piano works by William Alwyn, who died last September at the age of 79. The 11 Fantasy-Waltzes are notable for their variety within an integrated conception, and this is also true of the 12 Preludes, both works encompassing a wide range of modern piano-writing techniques. John Ogdon is naturally a match for the technical demands of the music and, since he tells us in the sleeve-note that he recorded the 58-minute programme in the presence of the composer and his wife, we may take it that a high degree of authenticity to the composer's intentions has been achieved. With excellent sound balance and documentation, this is a disc to treasure.
-- Gramophone [11/1985, reviewing the original LP release]
Description
This is a perceptively played and admirably recorded performance of two substantial piano works by William Alwyn, who died last September at the age of 79. The 11 Fantasy-Waltzes are notable for their variety within an integrated conception, and this is also true of the 12 Preludes, both works encompassing a wide range of modern piano-writing techniques. John Ogdon is naturally a match for the technical demands of the music and, since he tells us in the sleeve-note that he recorded the 58-minute programme in the presence of the composer and his wife, we may take it that a high degree of authenticity to the composer's intentions has been achieved. With excellent sound balance and documentation, this is a disc to treasure.
-- Gramophone [11/1985, reviewing the original LP release]























