Barber: Agnus Dei / Christophers, The Sixteen
Some of the most important and beautiful a cappella works of well-known 'names' Barber, Bernstein and Copland are here set alongside two quite extraordinary slightly less known composers. Irving Fine was an exact contemporary of Copland's and, although born a decade after the great master, he died some years before him. His music is a revelation - always vivid in expression and ever faithful to these extraordinary Ben Johnson poems. Del Tredici's 'Acrostic Song' is glorious, pure, unadulterated 'schmaltz'.
Some of the most important and beautiful a cappella works of well-known 'names' Barber, Bernstein and Copland are here set alongside two quite extraordinary slightly less known composers. Irving Fine was an exact contemporary of Copland's and, although born a decade after the great master, he died some years before him. His music is a revelation - always vivid in expression and ever faithful to these extraordinary Ben Johnson poems. Del Tredici's 'Acrostic Song' is glorious, pure, unadulterated 'schmaltz'.
Description
Some of the most important and beautiful a cappella works of well-known 'names' Barber, Bernstein and Copland are here set alongside two quite extraordinary slightly less known composers. Irving Fine was an exact contemporary of Copland's and, although born a decade after the great master, he died some years before him. His music is a revelation - always vivid in expression and ever faithful to these extraordinary Ben Johnson poems. Del Tredici's 'Acrostic Song' is glorious, pure, unadulterated 'schmaltz'.
