
Beethoven: Piano Concertos Nos. 0, 2 & 6 / Vetter, Ruzicka, Hamburg Symphony
Pianist Sophie-Mayuko Vetter presents the world premiere recording of a reconstruction of around 70 pages of sketches for Beethovenâs Concerto for Piano and Orchestra No. 6 in D major (fragment) by Nicholas Cook and Hermann Dechant. Another special feature of this release is that the Concerto for Piano and Orchestra No. 0 in E flat major, WoO 4 is heard in period style, performed on a fortepiano made by the London piano manufacturer John Broadwood in 1806. The expressive and harmonically rich vocabulary of the Piano Concerto No. 2 in B flat major, Op. 19 clearly demonstrates the young Beethovenâs development as an autonomous Viennese classicist. Sophie-Mayuko Vetter has been praised as an artist of extraordinary expressivity and versatility by press and colleagues alike. Her previous recording on OehmsClassics received an ICMA nomination and was awarded a Supersonic rating by Pizzicato: âDeeply felt performances of two Mozart concertos, where Sophie-Mayuko Vetterâs playing can be compared with that of Clara Haskil, Geza Anda or the young Barenboim.â
Pianist Sophie-Mayuko Vetter presents the world premiere recording of a reconstruction of around 70 pages of sketches for Beethovenâs Concerto for Piano and Orchestra No. 6 in D major (fragment) by Nicholas Cook and Hermann Dechant. Another special feature of this release is that the Concerto for Piano and Orchestra No. 0 in E flat major, WoO 4 is heard in period style, performed on a fortepiano made by the London piano manufacturer John Broadwood in 1806. The expressive and harmonically rich vocabulary of the Piano Concerto No. 2 in B flat major, Op. 19 clearly demonstrates the young Beethovenâs development as an autonomous Viennese classicist. Sophie-Mayuko Vetter has been praised as an artist of extraordinary expressivity and versatility by press and colleagues alike. Her previous recording on OehmsClassics received an ICMA nomination and was awarded a Supersonic rating by Pizzicato: âDeeply felt performances of two Mozart concertos, where Sophie-Mayuko Vetterâs playing can be compared with that of Clara Haskil, Geza Anda or the young Barenboim.â
Description
Pianist Sophie-Mayuko Vetter presents the world premiere recording of a reconstruction of around 70 pages of sketches for Beethovenâs Concerto for Piano and Orchestra No. 6 in D major (fragment) by Nicholas Cook and Hermann Dechant. Another special feature of this release is that the Concerto for Piano and Orchestra No. 0 in E flat major, WoO 4 is heard in period style, performed on a fortepiano made by the London piano manufacturer John Broadwood in 1806. The expressive and harmonically rich vocabulary of the Piano Concerto No. 2 in B flat major, Op. 19 clearly demonstrates the young Beethovenâs development as an autonomous Viennese classicist. Sophie-Mayuko Vetter has been praised as an artist of extraordinary expressivity and versatility by press and colleagues alike. Her previous recording on OehmsClassics received an ICMA nomination and was awarded a Supersonic rating by Pizzicato: âDeeply felt performances of two Mozart concertos, where Sophie-Mayuko Vetterâs playing can be compared with that of Clara Haskil, Geza Anda or the young Barenboim.â























