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Bloch: Music for Violin and Piano / Maristella and Mario Patuzzi
20th-century composer Ernest Bloch forged a unique path, firmly establishing his Jewish identity through his music and thereby creating many works of great spiritual expression. Born in Geneva in 1880, he studied in Belgium and Germany before moving to America. Although he returned to Europe, he eventually became a US citizen, abandoning Switzerland forever due to the encroaching threat of Nazism. It was in the States that his music was truly appreciated for the first time; in New York, he conducted renowned orchestral concerts of his own works and became known as the âJewish Composerâ, winning the Coolidge Prize for his Viola Suite. It was around this time that he began to compose for the violin.
Spanning the 1920s, most of the works on this release came to fruition soon after the composer began to compose for the violin on a solo level. Bloch was a composer who harnessed many of the musical tendencies of the time to create highly original works, never tying himself to a particular style, and the authenticity and invention for which he is remembered permeates the entire compilation â starting with Violin Sonata No.1 (1920), a work deeply rooted in tonality and requiring great technical skill. Suite No.1, written nearly 40 years later, brings the neo-Classical aspect of Blochâs music to the fore through its use of partita form. The Jewish influence is of course also strong: the famous and exotic Baal Shem which narrates three aspects of Chassidic life is included, together with Abodah â or âGodâs Worshipâ â dedicated to the world-famous violinist Yehudi Menuhin, who described the composer as âone of the Seven Wonders [âŠ] cast by the gods in a superhuman mould.â
Ernest Bloch (1880-1959) was trained as a violinist, taking lessons from the great Eugene Ysaye in Brussels. Under the threat of the Nazi regime he took refuge to the USA, where he stayed the rest of his life. Here he became famous , one of the first âclassicalâ composers to integrate Jewish elements in his music. His works on religious themes express the sorrows and joys of the Jewish people over the centuries.
This release presents the works for violin and piano, the substantial and romantic 1rst violin sonata, the neo-classical Suite and the famous Baal Shem (scenes from Chassidic Life) and the âAbodahâ (Godâs Worship), dedicated to Yehudi Menuhin.
Spanning the 1920s, most of the works on this release came to fruition soon after the composer began to compose for the violin on a solo level. Bloch was a composer who harnessed many of the musical tendencies of the time to create highly original works, never tying himself to a particular style, and the authenticity and invention for which he is remembered permeates the entire compilation â starting with Violin Sonata No.1 (1920), a work deeply rooted in tonality and requiring great technical skill. Suite No.1, written nearly 40 years later, brings the neo-Classical aspect of Blochâs music to the fore through its use of partita form. The Jewish influence is of course also strong: the famous and exotic Baal Shem which narrates three aspects of Chassidic life is included, together with Abodah â or âGodâs Worshipâ â dedicated to the world-famous violinist Yehudi Menuhin, who described the composer as âone of the Seven Wonders [âŠ] cast by the gods in a superhuman mould.â
Ernest Bloch (1880-1959) was trained as a violinist, taking lessons from the great Eugene Ysaye in Brussels. Under the threat of the Nazi regime he took refuge to the USA, where he stayed the rest of his life. Here he became famous , one of the first âclassicalâ composers to integrate Jewish elements in his music. His works on religious themes express the sorrows and joys of the Jewish people over the centuries.
This release presents the works for violin and piano, the substantial and romantic 1rst violin sonata, the neo-classical Suite and the famous Baal Shem (scenes from Chassidic Life) and the âAbodahâ (Godâs Worship), dedicated to Yehudi Menuhin.
20th-century composer Ernest Bloch forged a unique path, firmly establishing his Jewish identity through his music and thereby creating many works of great spiritual expression. Born in Geneva in 1880, he studied in Belgium and Germany before moving to America. Although he returned to Europe, he eventually became a US citizen, abandoning Switzerland forever due to the encroaching threat of Nazism. It was in the States that his music was truly appreciated for the first time; in New York, he conducted renowned orchestral concerts of his own works and became known as the âJewish Composerâ, winning the Coolidge Prize for his Viola Suite. It was around this time that he began to compose for the violin.
Spanning the 1920s, most of the works on this release came to fruition soon after the composer began to compose for the violin on a solo level. Bloch was a composer who harnessed many of the musical tendencies of the time to create highly original works, never tying himself to a particular style, and the authenticity and invention for which he is remembered permeates the entire compilation â starting with Violin Sonata No.1 (1920), a work deeply rooted in tonality and requiring great technical skill. Suite No.1, written nearly 40 years later, brings the neo-Classical aspect of Blochâs music to the fore through its use of partita form. The Jewish influence is of course also strong: the famous and exotic Baal Shem which narrates three aspects of Chassidic life is included, together with Abodah â or âGodâs Worshipâ â dedicated to the world-famous violinist Yehudi Menuhin, who described the composer as âone of the Seven Wonders [âŠ] cast by the gods in a superhuman mould.â
Ernest Bloch (1880-1959) was trained as a violinist, taking lessons from the great Eugene Ysaye in Brussels. Under the threat of the Nazi regime he took refuge to the USA, where he stayed the rest of his life. Here he became famous , one of the first âclassicalâ composers to integrate Jewish elements in his music. His works on religious themes express the sorrows and joys of the Jewish people over the centuries.
This release presents the works for violin and piano, the substantial and romantic 1rst violin sonata, the neo-classical Suite and the famous Baal Shem (scenes from Chassidic Life) and the âAbodahâ (Godâs Worship), dedicated to Yehudi Menuhin.
Spanning the 1920s, most of the works on this release came to fruition soon after the composer began to compose for the violin on a solo level. Bloch was a composer who harnessed many of the musical tendencies of the time to create highly original works, never tying himself to a particular style, and the authenticity and invention for which he is remembered permeates the entire compilation â starting with Violin Sonata No.1 (1920), a work deeply rooted in tonality and requiring great technical skill. Suite No.1, written nearly 40 years later, brings the neo-Classical aspect of Blochâs music to the fore through its use of partita form. The Jewish influence is of course also strong: the famous and exotic Baal Shem which narrates three aspects of Chassidic life is included, together with Abodah â or âGodâs Worshipâ â dedicated to the world-famous violinist Yehudi Menuhin, who described the composer as âone of the Seven Wonders [âŠ] cast by the gods in a superhuman mould.â
Ernest Bloch (1880-1959) was trained as a violinist, taking lessons from the great Eugene Ysaye in Brussels. Under the threat of the Nazi regime he took refuge to the USA, where he stayed the rest of his life. Here he became famous , one of the first âclassicalâ composers to integrate Jewish elements in his music. His works on religious themes express the sorrows and joys of the Jewish people over the centuries.
This release presents the works for violin and piano, the substantial and romantic 1rst violin sonata, the neo-classical Suite and the famous Baal Shem (scenes from Chassidic Life) and the âAbodahâ (Godâs Worship), dedicated to Yehudi Menuhin.
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20th-century composer Ernest Bloch forged a unique path, firmly establishing his Jewish identity through his music and thereby creating many works of great spiritual expression. Born in Geneva in 1880, he studied in Belgium and Germany before moving to America. Although he returned to Europe, he eventually became a US citizen, abandoning Switzerland forever due to the encroaching threat of Nazism. It was in the States that his music was truly appreciated for the first time; in New York, he conducted renowned orchestral concerts of his own works and became known as the âJewish Composerâ, winning the Coolidge Prize for his Viola Suite. It was around this time that he began to compose for the violin.
Spanning the 1920s, most of the works on this release came to fruition soon after the composer began to compose for the violin on a solo level. Bloch was a composer who harnessed many of the musical tendencies of the time to create highly original works, never tying himself to a particular style, and the authenticity and invention for which he is remembered permeates the entire compilation â starting with Violin Sonata No.1 (1920), a work deeply rooted in tonality and requiring great technical skill. Suite No.1, written nearly 40 years later, brings the neo-Classical aspect of Blochâs music to the fore through its use of partita form. The Jewish influence is of course also strong: the famous and exotic Baal Shem which narrates three aspects of Chassidic life is included, together with Abodah â or âGodâs Worshipâ â dedicated to the world-famous violinist Yehudi Menuhin, who described the composer as âone of the Seven Wonders [âŠ] cast by the gods in a superhuman mould.â
Ernest Bloch (1880-1959) was trained as a violinist, taking lessons from the great Eugene Ysaye in Brussels. Under the threat of the Nazi regime he took refuge to the USA, where he stayed the rest of his life. Here he became famous , one of the first âclassicalâ composers to integrate Jewish elements in his music. His works on religious themes express the sorrows and joys of the Jewish people over the centuries.
This release presents the works for violin and piano, the substantial and romantic 1rst violin sonata, the neo-classical Suite and the famous Baal Shem (scenes from Chassidic Life) and the âAbodahâ (Godâs Worship), dedicated to Yehudi Menuhin.
Spanning the 1920s, most of the works on this release came to fruition soon after the composer began to compose for the violin on a solo level. Bloch was a composer who harnessed many of the musical tendencies of the time to create highly original works, never tying himself to a particular style, and the authenticity and invention for which he is remembered permeates the entire compilation â starting with Violin Sonata No.1 (1920), a work deeply rooted in tonality and requiring great technical skill. Suite No.1, written nearly 40 years later, brings the neo-Classical aspect of Blochâs music to the fore through its use of partita form. The Jewish influence is of course also strong: the famous and exotic Baal Shem which narrates three aspects of Chassidic life is included, together with Abodah â or âGodâs Worshipâ â dedicated to the world-famous violinist Yehudi Menuhin, who described the composer as âone of the Seven Wonders [âŠ] cast by the gods in a superhuman mould.â
Ernest Bloch (1880-1959) was trained as a violinist, taking lessons from the great Eugene Ysaye in Brussels. Under the threat of the Nazi regime he took refuge to the USA, where he stayed the rest of his life. Here he became famous , one of the first âclassicalâ composers to integrate Jewish elements in his music. His works on religious themes express the sorrows and joys of the Jewish people over the centuries.
This release presents the works for violin and piano, the substantial and romantic 1rst violin sonata, the neo-classical Suite and the famous Baal Shem (scenes from Chassidic Life) and the âAbodahâ (Godâs Worship), dedicated to Yehudi Menuhin.
