
Brahms: Violin Sonatas Nos. 1-3 / Tetzlaff, Vogt
REVIEWS:
A breathtaking balance of poise and daring. Tetzlaff and Vogt take obvious pleasure in details without losing sight of the larger picture, whether itâs a phrase, a movement or an entire work. Indeed, they sharply delineate the individual character of each sonata.
â Gramophone Magazine
I get the impression that Christian Tetzlaff and Lars Vogt want to drag the composer out of his book-lined study and seal the door. Itâs beautiful playing, tonally and expressively, and very musical, but itâs also surprisingly open â Brahms after an expensive course of Viennese psychotherapy.
â BBC Music Magazine
REVIEWS:
A breathtaking balance of poise and daring. Tetzlaff and Vogt take obvious pleasure in details without losing sight of the larger picture, whether itâs a phrase, a movement or an entire work. Indeed, they sharply delineate the individual character of each sonata.
â Gramophone Magazine
I get the impression that Christian Tetzlaff and Lars Vogt want to drag the composer out of his book-lined study and seal the door. Itâs beautiful playing, tonally and expressively, and very musical, but itâs also surprisingly open â Brahms after an expensive course of Viennese psychotherapy.
â BBC Music Magazine
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REVIEWS:
A breathtaking balance of poise and daring. Tetzlaff and Vogt take obvious pleasure in details without losing sight of the larger picture, whether itâs a phrase, a movement or an entire work. Indeed, they sharply delineate the individual character of each sonata.
â Gramophone Magazine
I get the impression that Christian Tetzlaff and Lars Vogt want to drag the composer out of his book-lined study and seal the door. Itâs beautiful playing, tonally and expressively, and very musical, but itâs also surprisingly open â Brahms after an expensive course of Viennese psychotherapy.
â BBC Music Magazine























