
Britten, Canteloube: Vocal Works / Eriksmoen, Gardner, Bergen Philharmonic
Norwegian soprano Mari Eriksmoen is undoubtedly a rising star at the moment, following successful appearances at the OpĂ©ra-Comique in Paris, Grand Théùtre de GenĂšve, Oper Frankfurt, Komische Oper Berlin, and Teatro alla Scala in Milan. On the concert stage she has made recent important appearances with the Orchestre de Paris, Berliner Philharmoniker, Oslo Philharmonic, and MĂŒnchner Philharmoniker among others. Here she joins the Bergen Philharmonic and Edward Gardner for a powerful album of orchestral songs, coupling Brittenâs Les Illuminations and Four French Songs with a selection of Cantaloubeâs inimitable Songs of the Auvergne. Eriksmoen spent a year studying in Paris, and proves an effective and natural singer of the French language. As she mentions in her program note: âIt is highly demanding to sing in French when it is not oneâs native tongue, but I have always felt at home when singing in French and nurture an emotional attachment to the French language.â
REVIEWS:
One cannot canât praise Eriksmoen enough for the accuracy of her singing, its tonal beauty, and her absorption in the text. There are running passages, exposed intervals, and those chromatic steps to contend with. She faces every challenge with ease.
-- Fanfare
In Brittenâs Les illuminations, the generally belllike accuracy of Norwegian soprano Mari Eriksmoenâs singing is more than matched by the expressive truth of her interpretations. She is most beguiling when floating her voice weightlessly and with a serene joie de vivre in âAntiqueâ, perfectly partnered by the lovely violin playing of the Bergen Philharmonic leader Melina Mandozzi.
-- BBC Music Magazine
Norwegian soprano Mari Eriksmoen is undoubtedly a rising star at the moment, following successful appearances at the OpĂ©ra-Comique in Paris, Grand Théùtre de GenĂšve, Oper Frankfurt, Komische Oper Berlin, and Teatro alla Scala in Milan. On the concert stage she has made recent important appearances with the Orchestre de Paris, Berliner Philharmoniker, Oslo Philharmonic, and MĂŒnchner Philharmoniker among others. Here she joins the Bergen Philharmonic and Edward Gardner for a powerful album of orchestral songs, coupling Brittenâs Les Illuminations and Four French Songs with a selection of Cantaloubeâs inimitable Songs of the Auvergne. Eriksmoen spent a year studying in Paris, and proves an effective and natural singer of the French language. As she mentions in her program note: âIt is highly demanding to sing in French when it is not oneâs native tongue, but I have always felt at home when singing in French and nurture an emotional attachment to the French language.â
REVIEWS:
One cannot canât praise Eriksmoen enough for the accuracy of her singing, its tonal beauty, and her absorption in the text. There are running passages, exposed intervals, and those chromatic steps to contend with. She faces every challenge with ease.
-- Fanfare
In Brittenâs Les illuminations, the generally belllike accuracy of Norwegian soprano Mari Eriksmoenâs singing is more than matched by the expressive truth of her interpretations. She is most beguiling when floating her voice weightlessly and with a serene joie de vivre in âAntiqueâ, perfectly partnered by the lovely violin playing of the Bergen Philharmonic leader Melina Mandozzi.
-- BBC Music Magazine
Description
Norwegian soprano Mari Eriksmoen is undoubtedly a rising star at the moment, following successful appearances at the OpĂ©ra-Comique in Paris, Grand Théùtre de GenĂšve, Oper Frankfurt, Komische Oper Berlin, and Teatro alla Scala in Milan. On the concert stage she has made recent important appearances with the Orchestre de Paris, Berliner Philharmoniker, Oslo Philharmonic, and MĂŒnchner Philharmoniker among others. Here she joins the Bergen Philharmonic and Edward Gardner for a powerful album of orchestral songs, coupling Brittenâs Les Illuminations and Four French Songs with a selection of Cantaloubeâs inimitable Songs of the Auvergne. Eriksmoen spent a year studying in Paris, and proves an effective and natural singer of the French language. As she mentions in her program note: âIt is highly demanding to sing in French when it is not oneâs native tongue, but I have always felt at home when singing in French and nurture an emotional attachment to the French language.â
REVIEWS:
One cannot canât praise Eriksmoen enough for the accuracy of her singing, its tonal beauty, and her absorption in the text. There are running passages, exposed intervals, and those chromatic steps to contend with. She faces every challenge with ease.
-- Fanfare
In Brittenâs Les illuminations, the generally belllike accuracy of Norwegian soprano Mari Eriksmoenâs singing is more than matched by the expressive truth of her interpretations. She is most beguiling when floating her voice weightlessly and with a serene joie de vivre in âAntiqueâ, perfectly partnered by the lovely violin playing of the Bergen Philharmonic leader Melina Mandozzi.
-- BBC Music Magazine
























