A staggeringly powerful reading, it represents one of the high points in Furtwängler’s entire discography. Like his two BPO accounts from 1949, this one with the VPO uses modified Haas—the latter’s insertion of 10 bars from the 1887’s Adagio is omitted—and there are elements from the 1892 Schalk (a cymbal clash is heard in the 1949 finales, but not in this one). This 1944 has greater passion and is more listenable than are either of the BPO 1949s.

-- Jeffrey J. Lipscomb, FANFARE [reviewing the box set of Bruckner symphonies conducted by Furtwängler, Music & Arts 1209]