18th-century Italian violinists trained in the tradition of Arcangelo Corelli, spreading his elegant, expressive and virtuosic style on their travels throughout Europe. Giovanni Mossi’s sonatas retain Corelli’sdramatic contrasts and structure, while Giovanni Stefano Carbonelli also incorporates features found in music by Vivaldi. Both composers’ works combine formal elegance with wild abandon, lyrical charm and virtuosity alongside plenty of room for improvisation from acclaimed soloist Augusta McKay Lodge.

"...Double-stopping is central to this Corellian school of violin writing, and she tackles it fearlessly. No less impressive is her sheer stamina, dashing off extended passages of dense figuration with no audible difficulty. One gets the feeling, from the way she confidently places her final cadences like a winning hand of cards, that there isn’t a single taxing bar on the album she hasn’t enjoyed getting her teeth into — and it’s safe to say the same holds true for those of us with the rather easier task of merely enjoying the results..."
David Smith, Early Music America

"...A delightful selection of Italian violin sonatas is brought to life by Augusta McKay Lodge and her fellow performers. The legacy of Arcangelo Corelli as both a player and a composer is fully on show in this album named in recognition of his influence..."
David Smith, Early Music America