
Dukas: Symphony in C, Sorcerer's Apprentice... / Tingaud
The Sorcererâs Apprentice, which opens the program, receives a swift and brilliant reading, but also one notable for its naturalness and unforced musicality. Right from the start, in the slow introduction, you will register the way that Tingaud and the RTĂ wind players skillfully build long phrases from Dukasâ melodic fragments, and ensure that the tension never sags. The climaxes also are perfectly judged. La pĂ©ri, with its opening fanfare brilliantly played, never lapses into the sort of droopy languor that tempts other artists into overindulgence: the music has both rhythm and impetus as well as lusciousness.
This reading of the Symphony in C major may be the most impressive performance of all. The opening movement is really gripping, and the long coda, which can sound like an artificial appendage, builds in energy right through to the final bars. Kudos to the orchestra for keeping up with some pretty hard-driving conducting here. The central Andante also is beautifully shaped and truly âespressivoâ, but with no dead spots, while the lively finale offers a very satisfying conclusion. Although there is no shortage of available recordings of these works, or even discs that present them together, this one is as good as any, and better than most. Give it a shot.
-- David Hurwitz, ClassicsToday.com
The Sorcererâs Apprentice, which opens the program, receives a swift and brilliant reading, but also one notable for its naturalness and unforced musicality. Right from the start, in the slow introduction, you will register the way that Tingaud and the RTĂ wind players skillfully build long phrases from Dukasâ melodic fragments, and ensure that the tension never sags. The climaxes also are perfectly judged. La pĂ©ri, with its opening fanfare brilliantly played, never lapses into the sort of droopy languor that tempts other artists into overindulgence: the music has both rhythm and impetus as well as lusciousness.
This reading of the Symphony in C major may be the most impressive performance of all. The opening movement is really gripping, and the long coda, which can sound like an artificial appendage, builds in energy right through to the final bars. Kudos to the orchestra for keeping up with some pretty hard-driving conducting here. The central Andante also is beautifully shaped and truly âespressivoâ, but with no dead spots, while the lively finale offers a very satisfying conclusion. Although there is no shortage of available recordings of these works, or even discs that present them together, this one is as good as any, and better than most. Give it a shot.
-- David Hurwitz, ClassicsToday.com
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The Sorcererâs Apprentice, which opens the program, receives a swift and brilliant reading, but also one notable for its naturalness and unforced musicality. Right from the start, in the slow introduction, you will register the way that Tingaud and the RTĂ wind players skillfully build long phrases from Dukasâ melodic fragments, and ensure that the tension never sags. The climaxes also are perfectly judged. La pĂ©ri, with its opening fanfare brilliantly played, never lapses into the sort of droopy languor that tempts other artists into overindulgence: the music has both rhythm and impetus as well as lusciousness.
This reading of the Symphony in C major may be the most impressive performance of all. The opening movement is really gripping, and the long coda, which can sound like an artificial appendage, builds in energy right through to the final bars. Kudos to the orchestra for keeping up with some pretty hard-driving conducting here. The central Andante also is beautifully shaped and truly âespressivoâ, but with no dead spots, while the lively finale offers a very satisfying conclusion. Although there is no shortage of available recordings of these works, or even discs that present them together, this one is as good as any, and better than most. Give it a shot.
-- David Hurwitz, ClassicsToday.com
























