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Fanny Hensel-Mendelssohn: Das Jahr / Els Biesemans

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Fanny Hensel-Mendelssohn: Das Jahr / Els Biesemans

With the cycle "The Year", composed by Mendelssohn's sister Fanny upon completing a journey to Italy, one feels transported into another time period. Els Bieseman's Fortepiano debut CD set exactly those strings in vibration that have been lost on the new, well-equipped modern concert grand. The dark, dreamlike sound of the Pleyel grand (that Liszt & company enthused over…) beautifully fits the transparent, structured and always supple playing of the young Belgian musician. Wonderfully romantic music in which a splendid musician allows us to take part! - Genuin

Review Quotes:

"She plays with passion, musical sensitivity, virtuosity and emotional intensity that would surely have impressed Fanny..." - Andrew Benson-Wilson, Early Music Review, 10/12

"Genuin has brought us Els Bieseman to reveal the best Romantic traditions. His sense of nuance and his vision are of a perfect score. Music that soothes, within the conventions of the past yet also up to date.." - Jean-Luc Caron, ResMusica, (translated from French) 28.01.2013

"The playing is much to be praised. She tends to be more mercurial in the faster pieces and moves more quickly in the slower ones. Her technique and expressive abilities are never too challenged, and she easily moves through all of the surface charms of the music. The engineers have also done their job very well." Alan Becker, American Record Guide, January 2013
With the cycle "The Year", composed by Mendelssohn's sister Fanny upon completing a journey to Italy, one feels transported into another time period. Els Bieseman's Fortepiano debut CD set exactly those strings in vibration that have been lost on the new, well-equipped modern concert grand. The dark, dreamlike sound of the Pleyel grand (that Liszt & company enthused over…) beautifully fits the transparent, structured and always supple playing of the young Belgian musician. Wonderfully romantic music in which a splendid musician allows us to take part! - Genuin

Review Quotes:

"She plays with passion, musical sensitivity, virtuosity and emotional intensity that would surely have impressed Fanny..." - Andrew Benson-Wilson, Early Music Review, 10/12

"Genuin has brought us Els Bieseman to reveal the best Romantic traditions. His sense of nuance and his vision are of a perfect score. Music that soothes, within the conventions of the past yet also up to date.." - Jean-Luc Caron, ResMusica, (translated from French) 28.01.2013

"The playing is much to be praised. She tends to be more mercurial in the faster pieces and moves more quickly in the slower ones. Her technique and expressive abilities are never too challenged, and she easily moves through all of the surface charms of the music. The engineers have also done their job very well." Alan Becker, American Record Guide, January 2013
$20.99
Fanny Hensel-Mendelssohn: Das Jahr / Els Biesemans
$20.99

Description

With the cycle "The Year", composed by Mendelssohn's sister Fanny upon completing a journey to Italy, one feels transported into another time period. Els Bieseman's Fortepiano debut CD set exactly those strings in vibration that have been lost on the new, well-equipped modern concert grand. The dark, dreamlike sound of the Pleyel grand (that Liszt & company enthused over…) beautifully fits the transparent, structured and always supple playing of the young Belgian musician. Wonderfully romantic music in which a splendid musician allows us to take part! - Genuin

Review Quotes:

"She plays with passion, musical sensitivity, virtuosity and emotional intensity that would surely have impressed Fanny..." - Andrew Benson-Wilson, Early Music Review, 10/12

"Genuin has brought us Els Bieseman to reveal the best Romantic traditions. His sense of nuance and his vision are of a perfect score. Music that soothes, within the conventions of the past yet also up to date.." - Jean-Luc Caron, ResMusica, (translated from French) 28.01.2013

"The playing is much to be praised. She tends to be more mercurial in the faster pieces and moves more quickly in the slower ones. Her technique and expressive abilities are never too challenged, and she easily moves through all of the surface charms of the music. The engineers have also done their job very well." Alan Becker, American Record Guide, January 2013

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