Faure, Strauss, Mahler, Copland, Ives, Canteloube: Lieder / Von Stade, Katz
Besides her Cherubino in Mozart's Marriage of Figaro, Frederica von Stade also enjoyed repeated successes in Salzburg with her song recitals. In 1986, accompanied by Martin Katz, she offered a programme that knew no boundaries, ranging from the florid poesy of settings by Fauré and Strauss to Mahler's Songs of a Wayfarer, the moderate American Modernism of Charles Ives, Copland and Pasatieri, then to Canteloube's French folk song adaptations. Schoenberg's early cabaret songs served to round off the evening in ebullient fashion.
Besides her Cherubino in Mozart's Marriage of Figaro, Frederica von Stade also enjoyed repeated successes in Salzburg with her song recitals. In 1986, accompanied by Martin Katz, she offered a programme that knew no boundaries, ranging from the florid poesy of settings by Fauré and Strauss to Mahler's Songs of a Wayfarer, the moderate American Modernism of Charles Ives, Copland and Pasatieri, then to Canteloube's French folk song adaptations. Schoenberg's early cabaret songs served to round off the evening in ebullient fashion.
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Besides her Cherubino in Mozart's Marriage of Figaro, Frederica von Stade also enjoyed repeated successes in Salzburg with her song recitals. In 1986, accompanied by Martin Katz, she offered a programme that knew no boundaries, ranging from the florid poesy of settings by Fauré and Strauss to Mahler's Songs of a Wayfarer, the moderate American Modernism of Charles Ives, Copland and Pasatieri, then to Canteloube's French folk song adaptations. Schoenberg's early cabaret songs served to round off the evening in ebullient fashion.
