This release comes from one of the hardest-working and most respected pianists in the world today- Stewart Goodyear. Every album from Goodyear is released to widespread critical acclaim, and this one is sure to be no different. Goodyear writes of this release: “It was the year Glenn Gould died when I first heard his legendary name. It was his Bach that introduced me to his playing. His sound struck me immediately… a sound that was compelling and uncompromising. It was not designed to speak words of mere prettiness, but of an individual truth… My decision to record Glenn Gould’s program came right after performing it in Montreal. While playing homage to one of the great Canadian legends, I was being transported to childhood memories of growing up in Toronto, Gould’s home town, studying at the Royal Conservatory, Gould’s home alma mater, and being an artist from Canada, Gould’s country.

REVIEWS:

The Bach is brisk and crisp and the ornamentation with the Gibbons piece is tightly coiled. The Brahms selections are robustly songful. If the concept and execution of this release aren’t appealing enough, Goodyear’s program was engineered by Daniel Shores at the Sono Luminus studios in Boyce, Virginia, the source of some of the finest piano recordings on earth.

– Absolute Sound

He does have a good grasp on the way Gould played, capturing his crisp attack and emotional impact. Goodyear perfectly captures Gould’s unusual approach to Brahms, which was resolutely unsentimental. His performance of the Berg Sonata again captures Gould’s approach, albeit with a piano sound more resonant than the one Gould himself favored.

– The Arts Music Lounge (Lynn René Bayley)