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Fröst & Friends: Martin Fröst Plays Encores
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
A calendar filled with orchestral concerts and chamber recitals in many of the worldâs most prestigious venues has given the clarinettist Martin Fröst ample opportunity to develop a wide range of encores, for every occasion. Known for the imaginatively themed concert programmes he devises with various musician friends, he has also explored a number of musical genres. These aspects of his artistry are both demonstrated on this constantly engaging disc, which includes immortal gems such as Rachmaninovâs Vocalise and Kreislerâs Liebeslied as well as pieces rather less usual in a classical context: Charlie Chaplinâs Smile and the klezmer traditional Letâs Be Happy rubbing shoulders with an improvisation over the Nat King Cole standard Nature Boy. Throughout the programme Fröst receives the expert support of the pianist Roland Pöntinen, a chamber music partner of long standing who has also been involved in devising many of the imaginative arrangements, for instance of Vittorio Montiâs CsĂĄrdĂĄs. Three other musical companions of Fröstâs make cameo appearances, with mezzo-soprano Malena Ernman joining the clarinet in the head-long flight of not one, but two bumble-bees. Torleif ThedĂ©enâs cello sings a heartfelt Ave Maria above the gyrating accompaniment of Fröstâs clarinet, while Svante Henryson, also a cellist, plays in his own duo piece Off Pist, in which the clarinet and cello chase each other up and down alpine slopes. Martin Fröstâs spectacular career on disc began in 1995, with one of his first CD reviews, in In Tune Magazine, describing him as âA Swedish Clarinet Starâ, and continuing âFröst has everything â including geniusâ. More than 10 discs later his recording of Bernard Crusellâs three clarinet concertos caused the reviewer in French Classica-RĂ©pertoire to remark that âin every movement his playing hits upon the appropriate elegance, the perfect phrasing, the true colour, the required virtuosity, the necessary playfulness ... as he pursues his musical intentions all the wayâ â a description that could equally well be applied to the present disc!.
A calendar filled with orchestral concerts and chamber recitals in many of the worldâs most prestigious venues has given the clarinettist Martin Fröst ample opportunity to develop a wide range of encores, for every occasion. Known for the imaginatively themed concert programmes he devises with various musician friends, he has also explored a number of musical genres. These aspects of his artistry are both demonstrated on this constantly engaging disc, which includes immortal gems such as Rachmaninovâs Vocalise and Kreislerâs Liebeslied as well as pieces rather less usual in a classical context: Charlie Chaplinâs Smile and the klezmer traditional Letâs Be Happy rubbing shoulders with an improvisation over the Nat King Cole standard Nature Boy. Throughout the programme Fröst receives the expert support of the pianist Roland Pöntinen, a chamber music partner of long standing who has also been involved in devising many of the imaginative arrangements, for instance of Vittorio Montiâs CsĂĄrdĂĄs. Three other musical companions of Fröstâs make cameo appearances, with mezzo-soprano Malena Ernman joining the clarinet in the head-long flight of not one, but two bumble-bees. Torleif ThedĂ©enâs cello sings a heartfelt Ave Maria above the gyrating accompaniment of Fröstâs clarinet, while Svante Henryson, also a cellist, plays in his own duo piece Off Pist, in which the clarinet and cello chase each other up and down alpine slopes. Martin Fröstâs spectacular career on disc began in 1995, with one of his first CD reviews, in In Tune Magazine, describing him as âA Swedish Clarinet Starâ, and continuing âFröst has everything â including geniusâ. More than 10 discs later his recording of Bernard Crusellâs three clarinet concertos caused the reviewer in French Classica-RĂ©pertoire to remark that âin every movement his playing hits upon the appropriate elegance, the perfect phrasing, the true colour, the required virtuosity, the necessary playfulness ... as he pursues his musical intentions all the wayâ â a description that could equally well be applied to the present disc!.
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
A calendar filled with orchestral concerts and chamber recitals in many of the worldâs most prestigious venues has given the clarinettist Martin Fröst ample opportunity to develop a wide range of encores, for every occasion. Known for the imaginatively themed concert programmes he devises with various musician friends, he has also explored a number of musical genres. These aspects of his artistry are both demonstrated on this constantly engaging disc, which includes immortal gems such as Rachmaninovâs Vocalise and Kreislerâs Liebeslied as well as pieces rather less usual in a classical context: Charlie Chaplinâs Smile and the klezmer traditional Letâs Be Happy rubbing shoulders with an improvisation over the Nat King Cole standard Nature Boy. Throughout the programme Fröst receives the expert support of the pianist Roland Pöntinen, a chamber music partner of long standing who has also been involved in devising many of the imaginative arrangements, for instance of Vittorio Montiâs CsĂĄrdĂĄs. Three other musical companions of Fröstâs make cameo appearances, with mezzo-soprano Malena Ernman joining the clarinet in the head-long flight of not one, but two bumble-bees. Torleif ThedĂ©enâs cello sings a heartfelt Ave Maria above the gyrating accompaniment of Fröstâs clarinet, while Svante Henryson, also a cellist, plays in his own duo piece Off Pist, in which the clarinet and cello chase each other up and down alpine slopes. Martin Fröstâs spectacular career on disc began in 1995, with one of his first CD reviews, in In Tune Magazine, describing him as âA Swedish Clarinet Starâ, and continuing âFröst has everything â including geniusâ. More than 10 discs later his recording of Bernard Crusellâs three clarinet concertos caused the reviewer in French Classica-RĂ©pertoire to remark that âin every movement his playing hits upon the appropriate elegance, the perfect phrasing, the true colour, the required virtuosity, the necessary playfulness ... as he pursues his musical intentions all the wayâ â a description that could equally well be applied to the present disc!.
A calendar filled with orchestral concerts and chamber recitals in many of the worldâs most prestigious venues has given the clarinettist Martin Fröst ample opportunity to develop a wide range of encores, for every occasion. Known for the imaginatively themed concert programmes he devises with various musician friends, he has also explored a number of musical genres. These aspects of his artistry are both demonstrated on this constantly engaging disc, which includes immortal gems such as Rachmaninovâs Vocalise and Kreislerâs Liebeslied as well as pieces rather less usual in a classical context: Charlie Chaplinâs Smile and the klezmer traditional Letâs Be Happy rubbing shoulders with an improvisation over the Nat King Cole standard Nature Boy. Throughout the programme Fröst receives the expert support of the pianist Roland Pöntinen, a chamber music partner of long standing who has also been involved in devising many of the imaginative arrangements, for instance of Vittorio Montiâs CsĂĄrdĂĄs. Three other musical companions of Fröstâs make cameo appearances, with mezzo-soprano Malena Ernman joining the clarinet in the head-long flight of not one, but two bumble-bees. Torleif ThedĂ©enâs cello sings a heartfelt Ave Maria above the gyrating accompaniment of Fröstâs clarinet, while Svante Henryson, also a cellist, plays in his own duo piece Off Pist, in which the clarinet and cello chase each other up and down alpine slopes. Martin Fröstâs spectacular career on disc began in 1995, with one of his first CD reviews, in In Tune Magazine, describing him as âA Swedish Clarinet Starâ, and continuing âFröst has everything â including geniusâ. More than 10 discs later his recording of Bernard Crusellâs three clarinet concertos caused the reviewer in French Classica-RĂ©pertoire to remark that âin every movement his playing hits upon the appropriate elegance, the perfect phrasing, the true colour, the required virtuosity, the necessary playfulness ... as he pursues his musical intentions all the wayâ â a description that could equally well be applied to the present disc!.
$7.70
Original: $21.99
-65%Fröst & Friends: Martin Fröst Plays Encoresâ
$21.99
$7.70Description
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
A calendar filled with orchestral concerts and chamber recitals in many of the worldâs most prestigious venues has given the clarinettist Martin Fröst ample opportunity to develop a wide range of encores, for every occasion. Known for the imaginatively themed concert programmes he devises with various musician friends, he has also explored a number of musical genres. These aspects of his artistry are both demonstrated on this constantly engaging disc, which includes immortal gems such as Rachmaninovâs Vocalise and Kreislerâs Liebeslied as well as pieces rather less usual in a classical context: Charlie Chaplinâs Smile and the klezmer traditional Letâs Be Happy rubbing shoulders with an improvisation over the Nat King Cole standard Nature Boy. Throughout the programme Fröst receives the expert support of the pianist Roland Pöntinen, a chamber music partner of long standing who has also been involved in devising many of the imaginative arrangements, for instance of Vittorio Montiâs CsĂĄrdĂĄs. Three other musical companions of Fröstâs make cameo appearances, with mezzo-soprano Malena Ernman joining the clarinet in the head-long flight of not one, but two bumble-bees. Torleif ThedĂ©enâs cello sings a heartfelt Ave Maria above the gyrating accompaniment of Fröstâs clarinet, while Svante Henryson, also a cellist, plays in his own duo piece Off Pist, in which the clarinet and cello chase each other up and down alpine slopes. Martin Fröstâs spectacular career on disc began in 1995, with one of his first CD reviews, in In Tune Magazine, describing him as âA Swedish Clarinet Starâ, and continuing âFröst has everything â including geniusâ. More than 10 discs later his recording of Bernard Crusellâs three clarinet concertos caused the reviewer in French Classica-RĂ©pertoire to remark that âin every movement his playing hits upon the appropriate elegance, the perfect phrasing, the true colour, the required virtuosity, the necessary playfulness ... as he pursues his musical intentions all the wayâ â a description that could equally well be applied to the present disc!.
A calendar filled with orchestral concerts and chamber recitals in many of the worldâs most prestigious venues has given the clarinettist Martin Fröst ample opportunity to develop a wide range of encores, for every occasion. Known for the imaginatively themed concert programmes he devises with various musician friends, he has also explored a number of musical genres. These aspects of his artistry are both demonstrated on this constantly engaging disc, which includes immortal gems such as Rachmaninovâs Vocalise and Kreislerâs Liebeslied as well as pieces rather less usual in a classical context: Charlie Chaplinâs Smile and the klezmer traditional Letâs Be Happy rubbing shoulders with an improvisation over the Nat King Cole standard Nature Boy. Throughout the programme Fröst receives the expert support of the pianist Roland Pöntinen, a chamber music partner of long standing who has also been involved in devising many of the imaginative arrangements, for instance of Vittorio Montiâs CsĂĄrdĂĄs. Three other musical companions of Fröstâs make cameo appearances, with mezzo-soprano Malena Ernman joining the clarinet in the head-long flight of not one, but two bumble-bees. Torleif ThedĂ©enâs cello sings a heartfelt Ave Maria above the gyrating accompaniment of Fröstâs clarinet, while Svante Henryson, also a cellist, plays in his own duo piece Off Pist, in which the clarinet and cello chase each other up and down alpine slopes. Martin Fröstâs spectacular career on disc began in 1995, with one of his first CD reviews, in In Tune Magazine, describing him as âA Swedish Clarinet Starâ, and continuing âFröst has everything â including geniusâ. More than 10 discs later his recording of Bernard Crusellâs three clarinet concertos caused the reviewer in French Classica-RĂ©pertoire to remark that âin every movement his playing hits upon the appropriate elegance, the perfect phrasing, the true colour, the required virtuosity, the necessary playfulness ... as he pursues his musical intentions all the wayâ â a description that could equally well be applied to the present disc!.




















