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Gade: Comala / Henry, Kelly, Wiman, Eiche, Equilbey, Danish National Symphony
In 1840s Leipzig the young Danish composer Niels W. Gade (1817-90) was welcomed with open arms, and became Mendelssohn’s successor with the Gewandhaus Orchestra. There, Gade himself conducted the first performance of his cantata Comala, which travelled as far afield as the USA and Russia. Comala is a lyrical-heroic legend based on James Macpherson’s famous Ossian poems about the warrior Fingal and his beloved Comala, here performed by the Danish National Symphony Orchestra & Choir and an inspired team of international soloists under the renowned French conductor Laurence Equilbey. While the dramatic work was one of Gade’s biggest successes, it has largely been forgotten over the last century. This first collaboration between Equilby and the Danish National Symphony Orchestra and Choir is a perfect revival.
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REVIEW:
Together they deliver a magnificent account of this undeservedly forgotten score. Taken from live performances, there’s also a vibrancy, which turns music that in lesser hands might be ordinary fare, into a highly memorable listening experience.
– Classical Lost and Found (Bob McQuiston)
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REVIEW:
Together they deliver a magnificent account of this undeservedly forgotten score. Taken from live performances, there’s also a vibrancy, which turns music that in lesser hands might be ordinary fare, into a highly memorable listening experience.
– Classical Lost and Found (Bob McQuiston)
In 1840s Leipzig the young Danish composer Niels W. Gade (1817-90) was welcomed with open arms, and became Mendelssohn’s successor with the Gewandhaus Orchestra. There, Gade himself conducted the first performance of his cantata Comala, which travelled as far afield as the USA and Russia. Comala is a lyrical-heroic legend based on James Macpherson’s famous Ossian poems about the warrior Fingal and his beloved Comala, here performed by the Danish National Symphony Orchestra & Choir and an inspired team of international soloists under the renowned French conductor Laurence Equilbey. While the dramatic work was one of Gade’s biggest successes, it has largely been forgotten over the last century. This first collaboration between Equilby and the Danish National Symphony Orchestra and Choir is a perfect revival.
-----
REVIEW:
Together they deliver a magnificent account of this undeservedly forgotten score. Taken from live performances, there’s also a vibrancy, which turns music that in lesser hands might be ordinary fare, into a highly memorable listening experience.
– Classical Lost and Found (Bob McQuiston)
-----
REVIEW:
Together they deliver a magnificent account of this undeservedly forgotten score. Taken from live performances, there’s also a vibrancy, which turns music that in lesser hands might be ordinary fare, into a highly memorable listening experience.
– Classical Lost and Found (Bob McQuiston)
$5.95
Original: $16.99
-65%Gade: Comala / Henry, Kelly, Wiman, Eiche, Equilbey, Danish National Symphony—
$16.99
$5.95Description
In 1840s Leipzig the young Danish composer Niels W. Gade (1817-90) was welcomed with open arms, and became Mendelssohn’s successor with the Gewandhaus Orchestra. There, Gade himself conducted the first performance of his cantata Comala, which travelled as far afield as the USA and Russia. Comala is a lyrical-heroic legend based on James Macpherson’s famous Ossian poems about the warrior Fingal and his beloved Comala, here performed by the Danish National Symphony Orchestra & Choir and an inspired team of international soloists under the renowned French conductor Laurence Equilbey. While the dramatic work was one of Gade’s biggest successes, it has largely been forgotten over the last century. This first collaboration between Equilby and the Danish National Symphony Orchestra and Choir is a perfect revival.
-----
REVIEW:
Together they deliver a magnificent account of this undeservedly forgotten score. Taken from live performances, there’s also a vibrancy, which turns music that in lesser hands might be ordinary fare, into a highly memorable listening experience.
– Classical Lost and Found (Bob McQuiston)
-----
REVIEW:
Together they deliver a magnificent account of this undeservedly forgotten score. Taken from live performances, there’s also a vibrancy, which turns music that in lesser hands might be ordinary fare, into a highly memorable listening experience.
– Classical Lost and Found (Bob McQuiston)
