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Gérard Pesson: Blanc mérité
Lucid music. Vivacity, wit, intensity, foldings and unfoldings of the pointillist material, embracing the thing itself and its contradiction- sensuality, drollery, dances, abysses like sudden draughts of air. Movement and standstill… Music that slaps, pinches, bites, muffles, growls. Here Pesson reinvigorates what might already be his own classicism (Carmagnole); draws a pencil moustache on Mozart, who is more than willing to wear it (Transformations du Menuet K. 355); hounds his language so far into the corner that it seems different, and probably becomes so, in the intransigent light of Opalka (Blanc merite); a language that ramifies and scintillates in Proust (Ne pas oublier coz rouge dans jour craquele); grows geometric in Perec (Neige bagatelle); and denudes itself in ‘enfantines’ (Musica ficta). The Ensemble Cairn, a faithful partner of the label, under its director Guillaume Bourgogne, leads us into territories that could hardly be droller.
Lucid music. Vivacity, wit, intensity, foldings and unfoldings of the pointillist material, embracing the thing itself and its contradiction- sensuality, drollery, dances, abysses like sudden draughts of air. Movement and standstill… Music that slaps, pinches, bites, muffles, growls. Here Pesson reinvigorates what might already be his own classicism (Carmagnole); draws a pencil moustache on Mozart, who is more than willing to wear it (Transformations du Menuet K. 355); hounds his language so far into the corner that it seems different, and probably becomes so, in the intransigent light of Opalka (Blanc merite); a language that ramifies and scintillates in Proust (Ne pas oublier coz rouge dans jour craquele); grows geometric in Perec (Neige bagatelle); and denudes itself in ‘enfantines’ (Musica ficta). The Ensemble Cairn, a faithful partner of the label, under its director Guillaume Bourgogne, leads us into territories that could hardly be droller.
$7.35
Original: $20.99
-65%Gérard Pesson: Blanc mérité—
$20.99
$7.35Description
Lucid music. Vivacity, wit, intensity, foldings and unfoldings of the pointillist material, embracing the thing itself and its contradiction- sensuality, drollery, dances, abysses like sudden draughts of air. Movement and standstill… Music that slaps, pinches, bites, muffles, growls. Here Pesson reinvigorates what might already be his own classicism (Carmagnole); draws a pencil moustache on Mozart, who is more than willing to wear it (Transformations du Menuet K. 355); hounds his language so far into the corner that it seems different, and probably becomes so, in the intransigent light of Opalka (Blanc merite); a language that ramifies and scintillates in Proust (Ne pas oublier coz rouge dans jour craquele); grows geometric in Perec (Neige bagatelle); and denudes itself in ‘enfantines’ (Musica ficta). The Ensemble Cairn, a faithful partner of the label, under its director Guillaume Bourgogne, leads us into territories that could hardly be droller.
