Herrmann: Souvenirs de voyage; Tredici: Magyar Madness / Lethiec, Fine Arts Quartet
The iciness and drama of his great film scores contrasts powerfully with the reserved and lyrical beauty of Bernard Herrmannâs chamber music. Souvenir de Voyage was his final concert work, each of the three movements having roots in a different work of art â A.E. Housemanâs On Wenlock Edge, Syngeâs novel Riders to the Sea and the Venetian watercolours of J.M.W. Turner. This rhythmically sinuous clarinet quintet is both vivid and graceful. David Del Trediciâs Magyar Madness fuses ardency with playful wit, its long finale a vast and wild âHungarian frenzyâ.
REVIEW:
Written in 1967, Herrmann's Souvenirs de Voyage for clarinet quintet was his final concert composition, and it's a beauty. Clarinetist Michel Lethiec prefers tonal variety to uniformity, and he is not afraid to bring an occasional astringent edge to a curvaceous melody or extra heft to low sustained notes in support of string solos.
By way of stylistic contrast, David Del Tredici's brand of hyper-romanticism holds nothing back. Magyar Madness's first movement serves up heaps of counterpoint, accelerated repeat phrases, wild runs, and Richard Straussian harmonic tricks. Overall however, he deftly balances the work by providing enough moments of calm before each successive storm.
-- Gramophone
The iciness and drama of his great film scores contrasts powerfully with the reserved and lyrical beauty of Bernard Herrmannâs chamber music. Souvenir de Voyage was his final concert work, each of the three movements having roots in a different work of art â A.E. Housemanâs On Wenlock Edge, Syngeâs novel Riders to the Sea and the Venetian watercolours of J.M.W. Turner. This rhythmically sinuous clarinet quintet is both vivid and graceful. David Del Trediciâs Magyar Madness fuses ardency with playful wit, its long finale a vast and wild âHungarian frenzyâ.
REVIEW:
Written in 1967, Herrmann's Souvenirs de Voyage for clarinet quintet was his final concert composition, and it's a beauty. Clarinetist Michel Lethiec prefers tonal variety to uniformity, and he is not afraid to bring an occasional astringent edge to a curvaceous melody or extra heft to low sustained notes in support of string solos.
By way of stylistic contrast, David Del Tredici's brand of hyper-romanticism holds nothing back. Magyar Madness's first movement serves up heaps of counterpoint, accelerated repeat phrases, wild runs, and Richard Straussian harmonic tricks. Overall however, he deftly balances the work by providing enough moments of calm before each successive storm.
-- Gramophone
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$4.90Description
The iciness and drama of his great film scores contrasts powerfully with the reserved and lyrical beauty of Bernard Herrmannâs chamber music. Souvenir de Voyage was his final concert work, each of the three movements having roots in a different work of art â A.E. Housemanâs On Wenlock Edge, Syngeâs novel Riders to the Sea and the Venetian watercolours of J.M.W. Turner. This rhythmically sinuous clarinet quintet is both vivid and graceful. David Del Trediciâs Magyar Madness fuses ardency with playful wit, its long finale a vast and wild âHungarian frenzyâ.
REVIEW:
Written in 1967, Herrmann's Souvenirs de Voyage for clarinet quintet was his final concert composition, and it's a beauty. Clarinetist Michel Lethiec prefers tonal variety to uniformity, and he is not afraid to bring an occasional astringent edge to a curvaceous melody or extra heft to low sustained notes in support of string solos.
By way of stylistic contrast, David Del Tredici's brand of hyper-romanticism holds nothing back. Magyar Madness's first movement serves up heaps of counterpoint, accelerated repeat phrases, wild runs, and Richard Straussian harmonic tricks. Overall however, he deftly balances the work by providing enough moments of calm before each successive storm.
-- Gramophone
