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Il giardino dei sospiri / Kozena, Luks, Collegium 1704
On her first Pentatone album, Czech star mezzo-soprano Magdalena KoĆŸenĂĄ returns to the baroque repertoire that launched her early career. Il giardino dei sospiri is a collection of scenes from secular cantatas on tragic love, ranging from Handelâs Qual ti riveggio to new editions of works by Leo (Angelica e Medoro), Marcello (Arianna abbandonata) and Gasparini (Atalia). These vocal works are connected through instrumental pieces by Handel (sinfonia of Agrippina), Vinci (sinfonia from Maria dolorata) and Sarro (introduzione from Didone abbandonata). Initially conceived as a scenic project, Il giardino dei sospiri offers a richly-faceted and profoundly moving aural drama. KoĆŸenĂĄ interprets the tragic heroines of these love stories with fervor, accompanied by VĂĄclav Luks and Collegium 1704.
On her first Pentatone album, Czech star mezzo-soprano Magdalena KoĆŸenĂĄ returns to the baroque repertoire that launched her early career. Il giardino dei sospiri is a collection of scenes from secular cantatas on tragic love, ranging from Handelâs Qual ti riveggio to new editions of works by Leo (Angelica e Medoro), Marcello (Arianna abbandonata) and Gasparini (Atalia). These vocal works are connected through instrumental pieces by Handel (sinfonia of Agrippina), Vinci (sinfonia from Maria dolorata) and Sarro (introduzione from Didone abbandonata). Initially conceived as a scenic project, Il giardino dei sospiri offers a richly-faceted and profoundly moving aural drama. KoĆŸenĂĄ interprets the tragic heroines of these love stories with fervor, accompanied by VĂĄclav Luks and Collegium 1704.
$21.99
Il giardino dei sospiri / Kozena, Luks, Collegium 1704â
$21.99
Description
On her first Pentatone album, Czech star mezzo-soprano Magdalena KoĆŸenĂĄ returns to the baroque repertoire that launched her early career. Il giardino dei sospiri is a collection of scenes from secular cantatas on tragic love, ranging from Handelâs Qual ti riveggio to new editions of works by Leo (Angelica e Medoro), Marcello (Arianna abbandonata) and Gasparini (Atalia). These vocal works are connected through instrumental pieces by Handel (sinfonia of Agrippina), Vinci (sinfonia from Maria dolorata) and Sarro (introduzione from Didone abbandonata). Initially conceived as a scenic project, Il giardino dei sospiri offers a richly-faceted and profoundly moving aural drama. KoĆŸenĂĄ interprets the tragic heroines of these love stories with fervor, accompanied by VĂĄclav Luks and Collegium 1704.
