Intimate Impressions / Adam Cicchillitti, Steve Cowan
The excellent new album Intimate Impressions for Two Guitars by the duo Adam Cicchillitti and Steve Cowan consists of music originally written for piano, harp, or two guitars by leading 20th century composers who spent the bulk of their careers working in Paris, such as Ravel, Debussy, Mompou, Tailleferre, and Jolivet. The arrangements, the majority of which are by the Cicchillitti/Cowan duo, eloquently illustrate that the tone colors, intimacy, and pure lyricism of the composersā styles are ideally suited to the guitar, and that the harmonic language translates beautifully to a guitar duo. Simply captivating!
REVIEW:
New additions to the guitar duo repertoire: 20th Century French works arranged for two guitars, artistically performed by Canadian guitarists who clearly have command of transcription skills, and also a unified delivery of the music in all its technical complexity and musical depth. Drew Henderson and Michael Kolkās arrangement of the `Preludeā from Ravelās Tombeau de Couperin, the only arrangement in the program not by the duo, is nothing short of stellar in concept and execution. There follows the almost obligatory contemporary work on the program, Serenade by Andre Jolivet. Even though it was written for and premiered by Presti & Lagoya, an inspiring duo from the mid-1900s not known for avante-garde musical excursions, it disrupts the flow in this otherwise delightful program of warm and uplifting music. Liner notes by Richard Turp are well written and interesting, leaving the listener with a fairly complete picture of the music.
-- American Record Guide
The excellent new album Intimate Impressions for Two Guitars by the duo Adam Cicchillitti and Steve Cowan consists of music originally written for piano, harp, or two guitars by leading 20th century composers who spent the bulk of their careers working in Paris, such as Ravel, Debussy, Mompou, Tailleferre, and Jolivet. The arrangements, the majority of which are by the Cicchillitti/Cowan duo, eloquently illustrate that the tone colors, intimacy, and pure lyricism of the composersā styles are ideally suited to the guitar, and that the harmonic language translates beautifully to a guitar duo. Simply captivating!
REVIEW:
New additions to the guitar duo repertoire: 20th Century French works arranged for two guitars, artistically performed by Canadian guitarists who clearly have command of transcription skills, and also a unified delivery of the music in all its technical complexity and musical depth. Drew Henderson and Michael Kolkās arrangement of the `Preludeā from Ravelās Tombeau de Couperin, the only arrangement in the program not by the duo, is nothing short of stellar in concept and execution. There follows the almost obligatory contemporary work on the program, Serenade by Andre Jolivet. Even though it was written for and premiered by Presti & Lagoya, an inspiring duo from the mid-1900s not known for avante-garde musical excursions, it disrupts the flow in this otherwise delightful program of warm and uplifting music. Liner notes by Richard Turp are well written and interesting, leaving the listener with a fairly complete picture of the music.
-- American Record Guide
Description
The excellent new album Intimate Impressions for Two Guitars by the duo Adam Cicchillitti and Steve Cowan consists of music originally written for piano, harp, or two guitars by leading 20th century composers who spent the bulk of their careers working in Paris, such as Ravel, Debussy, Mompou, Tailleferre, and Jolivet. The arrangements, the majority of which are by the Cicchillitti/Cowan duo, eloquently illustrate that the tone colors, intimacy, and pure lyricism of the composersā styles are ideally suited to the guitar, and that the harmonic language translates beautifully to a guitar duo. Simply captivating!
REVIEW:
New additions to the guitar duo repertoire: 20th Century French works arranged for two guitars, artistically performed by Canadian guitarists who clearly have command of transcription skills, and also a unified delivery of the music in all its technical complexity and musical depth. Drew Henderson and Michael Kolkās arrangement of the `Preludeā from Ravelās Tombeau de Couperin, the only arrangement in the program not by the duo, is nothing short of stellar in concept and execution. There follows the almost obligatory contemporary work on the program, Serenade by Andre Jolivet. Even though it was written for and premiered by Presti & Lagoya, an inspiring duo from the mid-1900s not known for avante-garde musical excursions, it disrupts the flow in this otherwise delightful program of warm and uplifting music. Liner notes by Richard Turp are well written and interesting, leaving the listener with a fairly complete picture of the music.
-- American Record Guide
