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F. Couperin, Daquin, Royer: L'Aimable - Harpsichord Music for Louis XV / Frisch
âBut what are we going to do with all these pleasures?â A question sung tĂȘte-Ă -tĂȘte by the Princess and the Prince in Jacques Demyâs film Peau dâĂąne, and a more bothersome question for harpsichordists drawn to the age of Louis XV. What to do with all the pleasures that the composers of the time distributed so extravagantly, how to live today in this âkingdom of the pleasantâ? The usual option is to stick to the most perfectionist of these masters (Couperin), the most ambitious (Rameau) or the most adventurous (Forqueray) in programs focusing on one of them at time. But that means setting aside a whole swathe of the repertory, which CĂ©line Frisch here restores to the limelight, following an original method. From Couperinâs Le RĂ©veil-matin to Corretteâs Les Ătoiles, she retraces a day at the court of Louis XV, making full use of the sound palette offered by an exceptional harpsichord, a replica by Andrea Restelli of an instrument by Goujon.
âBut what are we going to do with all these pleasures?â A question sung tĂȘte-Ă -tĂȘte by the Princess and the Prince in Jacques Demyâs film Peau dâĂąne, and a more bothersome question for harpsichordists drawn to the age of Louis XV. What to do with all the pleasures that the composers of the time distributed so extravagantly, how to live today in this âkingdom of the pleasantâ? The usual option is to stick to the most perfectionist of these masters (Couperin), the most ambitious (Rameau) or the most adventurous (Forqueray) in programs focusing on one of them at time. But that means setting aside a whole swathe of the repertory, which CĂ©line Frisch here restores to the limelight, following an original method. From Couperinâs Le RĂ©veil-matin to Corretteâs Les Ătoiles, she retraces a day at the court of Louis XV, making full use of the sound palette offered by an exceptional harpsichord, a replica by Andrea Restelli of an instrument by Goujon.
$10.50
F. Couperin, Daquin, Royer: L'Aimable - Harpsichord Music for Louis XV / Frischâ
$10.50
Description
âBut what are we going to do with all these pleasures?â A question sung tĂȘte-Ă -tĂȘte by the Princess and the Prince in Jacques Demyâs film Peau dâĂąne, and a more bothersome question for harpsichordists drawn to the age of Louis XV. What to do with all the pleasures that the composers of the time distributed so extravagantly, how to live today in this âkingdom of the pleasantâ? The usual option is to stick to the most perfectionist of these masters (Couperin), the most ambitious (Rameau) or the most adventurous (Forqueray) in programs focusing on one of them at time. But that means setting aside a whole swathe of the repertory, which CĂ©line Frisch here restores to the limelight, following an original method. From Couperinâs Le RĂ©veil-matin to Corretteâs Les Ătoiles, she retraces a day at the court of Louis XV, making full use of the sound palette offered by an exceptional harpsichord, a replica by Andrea Restelli of an instrument by Goujon.
