
Laureate Series, Guitar - Lorenzo Micheli
Castelnuovo-Tedesco was one of Italy's most promising young composers in the 1920s. A Sephardic Jew, Castelnuovo-Tedesco felt an affinity for Spanish music and culture that is reflected in much of his work. Unfortunately, he was forced out of Italy once state-approved anti-Semitism took hold.
Castelnuovo-Tedesco's music is deliciously rhapsodic, and Micheli's guitar sings gloriously in this program. 'EscarramĂĄn' is a suite of Spanish dances inspired by Cervantes. Micheli plays this colorful work with grace and verve. Two movements are standouts: "El Canario," an elegant dance that displays Micheli's fluid technique; and "El rey Don Alonso el Bueno," a charming set of variations on an old nursery tune. Micheli has fire to spare, and dazzles with his picking technique in the spicy 'Tarantella,' Op.87b.
Castelnuovo-Tedesco was one of Italy's most promising young composers in the 1920s. A Sephardic Jew, Castelnuovo-Tedesco felt an affinity for Spanish music and culture that is reflected in much of his work. Unfortunately, he was forced out of Italy once state-approved anti-Semitism took hold.
Castelnuovo-Tedesco's music is deliciously rhapsodic, and Micheli's guitar sings gloriously in this program. 'EscarramĂĄn' is a suite of Spanish dances inspired by Cervantes. Micheli plays this colorful work with grace and verve. Two movements are standouts: "El Canario," an elegant dance that displays Micheli's fluid technique; and "El rey Don Alonso el Bueno," a charming set of variations on an old nursery tune. Micheli has fire to spare, and dazzles with his picking technique in the spicy 'Tarantella,' Op.87b.
Description
Castelnuovo-Tedesco was one of Italy's most promising young composers in the 1920s. A Sephardic Jew, Castelnuovo-Tedesco felt an affinity for Spanish music and culture that is reflected in much of his work. Unfortunately, he was forced out of Italy once state-approved anti-Semitism took hold.
Castelnuovo-Tedesco's music is deliciously rhapsodic, and Micheli's guitar sings gloriously in this program. 'EscarramĂĄn' is a suite of Spanish dances inspired by Cervantes. Micheli plays this colorful work with grace and verve. Two movements are standouts: "El Canario," an elegant dance that displays Micheli's fluid technique; and "El rey Don Alonso el Bueno," a charming set of variations on an old nursery tune. Micheli has fire to spare, and dazzles with his picking technique in the spicy 'Tarantella,' Op.87b.























