Lehar: Das Furstenkind / Schirmer, Muenchner Rundfunkorchester
Das Fuerstenkind (The Princeâs Child) has always been an âinsiderâs tipâ in LehĂĄrâs oeuvre, and the composer himself regarded this robbersâ tale from Greece premiered in 1909 as one of his best works. It was also his problem child because it never became a sensational success. The reason may have been due to the works blurring of boundaries between opera and operetta.
Das Fuerstenkind (The Princeâs Child) has always been an âinsiderâs tipâ in LehĂĄrâs oeuvre, and the composer himself regarded this robbersâ tale from Greece premiered in 1909 as one of his best works. It was also his problem child because it never became a sensational success. The reason may have been due to the works blurring of boundaries between opera and operetta.
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Das Fuerstenkind (The Princeâs Child) has always been an âinsiderâs tipâ in LehĂĄrâs oeuvre, and the composer himself regarded this robbersâ tale from Greece premiered in 1909 as one of his best works. It was also his problem child because it never became a sensational success. The reason may have been due to the works blurring of boundaries between opera and operetta.
