
Liszt: Années de pÚlerinage, 1st year, Switzerland - Bénédiction de Dieu dans la solitude / Owen
With his critically acclaimed AVIE Records recordings of music by Johann Sebastian Bach, Johannes Brahms, Gabriel FaureÂŽ and Sergei Rachmaninov to his credit, the celebrated British pianist Charles Owen scales the heights of Franz Lisztâs anthology Annees de pelerinage, Premiere annee: Suisse (âYears of Travel, First Year: Switzerlandâ), which evokes the great 19th-century pianist-composerâs Swiss sojourns with aural impressions of the Alpine landscape, its peaks and valleys, mountains and streams, and the countryâs distinctive folk music. Literary references abound as they do in the albumâs concluding piece, the emotional Benediction de Dieu dans la solitude (âThe Blessing of God in Solitudeâ) which was inspired by a poem penned by Lisztâs friend Alphonse de Lamartine. Emotions ran equally high for Charles Owen who turned to Liszt during lockdown. The uncertainty of being homebound throughout the pandemic was eased by the extra meaning and solace of the composerâs evocations of journeying, experiencing the natural world and its sense of beauty and liberation.
With his critically acclaimed AVIE Records recordings of music by Johann Sebastian Bach, Johannes Brahms, Gabriel FaureÂŽ and Sergei Rachmaninov to his credit, the celebrated British pianist Charles Owen scales the heights of Franz Lisztâs anthology Annees de pelerinage, Premiere annee: Suisse (âYears of Travel, First Year: Switzerlandâ), which evokes the great 19th-century pianist-composerâs Swiss sojourns with aural impressions of the Alpine landscape, its peaks and valleys, mountains and streams, and the countryâs distinctive folk music. Literary references abound as they do in the albumâs concluding piece, the emotional Benediction de Dieu dans la solitude (âThe Blessing of God in Solitudeâ) which was inspired by a poem penned by Lisztâs friend Alphonse de Lamartine. Emotions ran equally high for Charles Owen who turned to Liszt during lockdown. The uncertainty of being homebound throughout the pandemic was eased by the extra meaning and solace of the composerâs evocations of journeying, experiencing the natural world and its sense of beauty and liberation.
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With his critically acclaimed AVIE Records recordings of music by Johann Sebastian Bach, Johannes Brahms, Gabriel FaureÂŽ and Sergei Rachmaninov to his credit, the celebrated British pianist Charles Owen scales the heights of Franz Lisztâs anthology Annees de pelerinage, Premiere annee: Suisse (âYears of Travel, First Year: Switzerlandâ), which evokes the great 19th-century pianist-composerâs Swiss sojourns with aural impressions of the Alpine landscape, its peaks and valleys, mountains and streams, and the countryâs distinctive folk music. Literary references abound as they do in the albumâs concluding piece, the emotional Benediction de Dieu dans la solitude (âThe Blessing of God in Solitudeâ) which was inspired by a poem penned by Lisztâs friend Alphonse de Lamartine. Emotions ran equally high for Charles Owen who turned to Liszt during lockdown. The uncertainty of being homebound throughout the pandemic was eased by the extra meaning and solace of the composerâs evocations of journeying, experiencing the natural world and its sense of beauty and liberation.





















