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Liszt: Complete Piano Music Vol 17 / Valerie Tryon
Valerie Tryon, one of the most sensitive and poetic pianists around, turns in another lovely contribution to Naxos' ongoing cycle of Liszt's complete piano music. Her pianism is quite a different kettle of fish from Oxana Yablonskaya's, whose own Schubert/Liszt disc marks Volume 5 in this series. At first hearing, I felt Tryon's control of Liszt's textural complexities to be slightly soft-grained and lacking the last degree of suppleness and tonal solidity we expect in this repertoire. By the second and third listening, I began to appreciate the pianist's canny dynamic planning, as witness the unfolding drama of "Der Jäger" and "Die böse Farbe" from Die Schöne Müllerin, or the subtle, rippling accompaniment that gently envelops "Wohin?".
Similarly, Tryon bathes "Die Forelle"'s arpeggios in beautifully tinted shadings and takes trouble to clarify Liszt's pedal markings. Listen to how Tryon deftly keeps "Ave Maria"'s melody afloat against an accompaniment that keeps changing its textural stripes. Yes, "Erlkönig" can use a bit more clarity and cumulative power, with less heavy octaves in the left hand. But that's just one track out of 19, and what's good is quite wonderful. If you've a hankering for Schubert songs served up for solo piano as only Liszt could, you'll certainly warm to this disc.
--Jed Distler, ClassicsToday.com
Similarly, Tryon bathes "Die Forelle"'s arpeggios in beautifully tinted shadings and takes trouble to clarify Liszt's pedal markings. Listen to how Tryon deftly keeps "Ave Maria"'s melody afloat against an accompaniment that keeps changing its textural stripes. Yes, "Erlkönig" can use a bit more clarity and cumulative power, with less heavy octaves in the left hand. But that's just one track out of 19, and what's good is quite wonderful. If you've a hankering for Schubert songs served up for solo piano as only Liszt could, you'll certainly warm to this disc.
--Jed Distler, ClassicsToday.com
Valerie Tryon, one of the most sensitive and poetic pianists around, turns in another lovely contribution to Naxos' ongoing cycle of Liszt's complete piano music. Her pianism is quite a different kettle of fish from Oxana Yablonskaya's, whose own Schubert/Liszt disc marks Volume 5 in this series. At first hearing, I felt Tryon's control of Liszt's textural complexities to be slightly soft-grained and lacking the last degree of suppleness and tonal solidity we expect in this repertoire. By the second and third listening, I began to appreciate the pianist's canny dynamic planning, as witness the unfolding drama of "Der Jäger" and "Die böse Farbe" from Die Schöne Müllerin, or the subtle, rippling accompaniment that gently envelops "Wohin?".
Similarly, Tryon bathes "Die Forelle"'s arpeggios in beautifully tinted shadings and takes trouble to clarify Liszt's pedal markings. Listen to how Tryon deftly keeps "Ave Maria"'s melody afloat against an accompaniment that keeps changing its textural stripes. Yes, "Erlkönig" can use a bit more clarity and cumulative power, with less heavy octaves in the left hand. But that's just one track out of 19, and what's good is quite wonderful. If you've a hankering for Schubert songs served up for solo piano as only Liszt could, you'll certainly warm to this disc.
--Jed Distler, ClassicsToday.com
Similarly, Tryon bathes "Die Forelle"'s arpeggios in beautifully tinted shadings and takes trouble to clarify Liszt's pedal markings. Listen to how Tryon deftly keeps "Ave Maria"'s melody afloat against an accompaniment that keeps changing its textural stripes. Yes, "Erlkönig" can use a bit more clarity and cumulative power, with less heavy octaves in the left hand. But that's just one track out of 19, and what's good is quite wonderful. If you've a hankering for Schubert songs served up for solo piano as only Liszt could, you'll certainly warm to this disc.
--Jed Distler, ClassicsToday.com
$19.99
Liszt: Complete Piano Music Vol 17 / Valerie Tryon—
$19.99
Description
Valerie Tryon, one of the most sensitive and poetic pianists around, turns in another lovely contribution to Naxos' ongoing cycle of Liszt's complete piano music. Her pianism is quite a different kettle of fish from Oxana Yablonskaya's, whose own Schubert/Liszt disc marks Volume 5 in this series. At first hearing, I felt Tryon's control of Liszt's textural complexities to be slightly soft-grained and lacking the last degree of suppleness and tonal solidity we expect in this repertoire. By the second and third listening, I began to appreciate the pianist's canny dynamic planning, as witness the unfolding drama of "Der Jäger" and "Die böse Farbe" from Die Schöne Müllerin, or the subtle, rippling accompaniment that gently envelops "Wohin?".
Similarly, Tryon bathes "Die Forelle"'s arpeggios in beautifully tinted shadings and takes trouble to clarify Liszt's pedal markings. Listen to how Tryon deftly keeps "Ave Maria"'s melody afloat against an accompaniment that keeps changing its textural stripes. Yes, "Erlkönig" can use a bit more clarity and cumulative power, with less heavy octaves in the left hand. But that's just one track out of 19, and what's good is quite wonderful. If you've a hankering for Schubert songs served up for solo piano as only Liszt could, you'll certainly warm to this disc.
--Jed Distler, ClassicsToday.com
Similarly, Tryon bathes "Die Forelle"'s arpeggios in beautifully tinted shadings and takes trouble to clarify Liszt's pedal markings. Listen to how Tryon deftly keeps "Ave Maria"'s melody afloat against an accompaniment that keeps changing its textural stripes. Yes, "Erlkönig" can use a bit more clarity and cumulative power, with less heavy octaves in the left hand. But that's just one track out of 19, and what's good is quite wonderful. If you've a hankering for Schubert songs served up for solo piano as only Liszt could, you'll certainly warm to this disc.
--Jed Distler, ClassicsToday.com
