Liszt: Complete Piano Music, Vol. 59 - Schubert Transcriptions
As a boy during the years 1822â23 Liszt studied in Vienna with Czerny and Salieri, at the same time as Schubert was winning his reputation as a leading composer in the city. Many years later Liszt did much to introduce Schubertâs music to a wider audience, not least through his prodigious transcriptions. In the case of the Three Marches and MĂ©lodies hongroises, Liszt selected music originally written for piano duet, but in SoirĂ©es de Vienne, a set of nine pieces of which some were to remain prominent in Lisztâs concert repertoire, he fashioned a sequence of truly memorable valse-caprices.
As a boy during the years 1822â23 Liszt studied in Vienna with Czerny and Salieri, at the same time as Schubert was winning his reputation as a leading composer in the city. Many years later Liszt did much to introduce Schubertâs music to a wider audience, not least through his prodigious transcriptions. In the case of the Three Marches and MĂ©lodies hongroises, Liszt selected music originally written for piano duet, but in SoirĂ©es de Vienne, a set of nine pieces of which some were to remain prominent in Lisztâs concert repertoire, he fashioned a sequence of truly memorable valse-caprices.
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As a boy during the years 1822â23 Liszt studied in Vienna with Czerny and Salieri, at the same time as Schubert was winning his reputation as a leading composer in the city. Many years later Liszt did much to introduce Schubertâs music to a wider audience, not least through his prodigious transcriptions. In the case of the Three Marches and MĂ©lodies hongroises, Liszt selected music originally written for piano duet, but in SoirĂ©es de Vienne, a set of nine pieces of which some were to remain prominent in Lisztâs concert repertoire, he fashioned a sequence of truly memorable valse-caprices.
