
Liszt: Schubert Song Transcriptions / Avan Yu
Lisztâs lavish filigree may sound a little overloaded by purist standards, yet he always treats the melodies with respect and intelligent registral deployment. Many young virtuosos plow through these transcriptions with little indication that they know the original songs. Avan Yu, however, brilliantly reconciles Schubertâs melodic trajectory with Lisztâs intricate textures.
In Winterreiseâs Mut, for example, Yu differentiates the accompanimentâs springing rhythms and the legato vocal line through touch and timbre, while Das Wirtshausâ arpeggio waves maintain a discreet background, even at climaxes. In Schwanengesang Iâm especially impressed by how Yu gives shape and meaning to Am Meerâs tremolos, rather than rattling them off in the manner of a silent movie pianist. Likewise, Kriegers Ahnungâs chromatic flourishes and double notes convey appropriate flair yet never overstep their supporting role.
It would have been nice if Lisztâs six remaining transcriptions from these cycles had also been included, but one shouldnât complain in light of Yuâs highly appealing artistry. On the basis of the present release, plus a number of YouTube links that feature some excellent Debussy Etudes and a complete audio-only Liszt Sonata, Iâd like to hear more of Avan Yu both on disc and in concert.
-- Jed Distler, ClassicsToday.com
Lisztâs lavish filigree may sound a little overloaded by purist standards, yet he always treats the melodies with respect and intelligent registral deployment. Many young virtuosos plow through these transcriptions with little indication that they know the original songs. Avan Yu, however, brilliantly reconciles Schubertâs melodic trajectory with Lisztâs intricate textures.
In Winterreiseâs Mut, for example, Yu differentiates the accompanimentâs springing rhythms and the legato vocal line through touch and timbre, while Das Wirtshausâ arpeggio waves maintain a discreet background, even at climaxes. In Schwanengesang Iâm especially impressed by how Yu gives shape and meaning to Am Meerâs tremolos, rather than rattling them off in the manner of a silent movie pianist. Likewise, Kriegers Ahnungâs chromatic flourishes and double notes convey appropriate flair yet never overstep their supporting role.
It would have been nice if Lisztâs six remaining transcriptions from these cycles had also been included, but one shouldnât complain in light of Yuâs highly appealing artistry. On the basis of the present release, plus a number of YouTube links that feature some excellent Debussy Etudes and a complete audio-only Liszt Sonata, Iâd like to hear more of Avan Yu both on disc and in concert.
-- Jed Distler, ClassicsToday.com
Description
Lisztâs lavish filigree may sound a little overloaded by purist standards, yet he always treats the melodies with respect and intelligent registral deployment. Many young virtuosos plow through these transcriptions with little indication that they know the original songs. Avan Yu, however, brilliantly reconciles Schubertâs melodic trajectory with Lisztâs intricate textures.
In Winterreiseâs Mut, for example, Yu differentiates the accompanimentâs springing rhythms and the legato vocal line through touch and timbre, while Das Wirtshausâ arpeggio waves maintain a discreet background, even at climaxes. In Schwanengesang Iâm especially impressed by how Yu gives shape and meaning to Am Meerâs tremolos, rather than rattling them off in the manner of a silent movie pianist. Likewise, Kriegers Ahnungâs chromatic flourishes and double notes convey appropriate flair yet never overstep their supporting role.
It would have been nice if Lisztâs six remaining transcriptions from these cycles had also been included, but one shouldnât complain in light of Yuâs highly appealing artistry. On the basis of the present release, plus a number of YouTube links that feature some excellent Debussy Etudes and a complete audio-only Liszt Sonata, Iâd like to hear more of Avan Yu both on disc and in concert.
-- Jed Distler, ClassicsToday.com























