
Litolff: Piano Music, Vol. 1 / Jiang
The British-born Henry Litolff (1818â91) maintains a toehold on the repertoire thanks to the enduring popularity of the Scherzo of his Concerto symphonique No. 4 for piano and orchestra. Litolffâs substantial output of music for solo piano â mostly virtuoso salon miniatures â has entirely slipped from sight, even though in his prime as composer and pianist he was often compared with Liszt, a personal friend. This first album devoted to Litolffâs piano music reveals a fondness for atmospheric character pieces and vigorous dances, not least the polka, mazurka and waltz.
The British-born Henry Litolff (1818â91) maintains a toehold on the repertoire thanks to the enduring popularity of the Scherzo of his Concerto symphonique No. 4 for piano and orchestra. Litolffâs substantial output of music for solo piano â mostly virtuoso salon miniatures â has entirely slipped from sight, even though in his prime as composer and pianist he was often compared with Liszt, a personal friend. This first album devoted to Litolffâs piano music reveals a fondness for atmospheric character pieces and vigorous dances, not least the polka, mazurka and waltz.
Description
The British-born Henry Litolff (1818â91) maintains a toehold on the repertoire thanks to the enduring popularity of the Scherzo of his Concerto symphonique No. 4 for piano and orchestra. Litolffâs substantial output of music for solo piano â mostly virtuoso salon miniatures â has entirely slipped from sight, even though in his prime as composer and pianist he was often compared with Liszt, a personal friend. This first album devoted to Litolffâs piano music reveals a fondness for atmospheric character pieces and vigorous dances, not least the polka, mazurka and waltz.























