
Mahler, Wagner, Haydn & Brahms: Works for Orchestra / Walter, BBC Symphony
This set of âliveâ authorized recordings featuring the highly distinguished conductor Bruno Walter with the BBC Symphony Orchestra comes from the BBCâs annual May Festival, held in London in 1955. None of these recordings has been published before, and in the case of Wagnerâs Faust Overture, this is Walterâs only post-war account. The mid-1950s saw Walter at the height of his powers, and the âliveâ recordings here are very focused, having a great sense of forward movement and excitement â most notably in Haydnâs Symphony No.96 and Mahlerâs Symphony No.1 â compared to some of the studio accounts in the early 1960s when Walter was well into his 80s. The set also contains Walter with the great German soprano Irmgard Seefried in âWo die schönen Trompeten blasenâ from Des Knaben Wunderhorn, which illustrates both her superb artistry and his genius as a Mahler conductor. Brahmsâs Song of Destiny (Schicksalslied), a Walter favorite, completes the set. All recordings have been sourced from the Richard Itter archive, as Beecham caught âliveâ often showed the mercurial side of his character, and no performance was the same either in the studio or in the concert hall. All the performances included here from the Edinburgh Festival, Londonâs Royal Albert Hall, Royal Festival Hall and the BBC Studios are from Beechamâs final years, from 1954 when he had fully established the Royal Philharmonic Orchestra and himself as central figures in Englandâs musical life, to 1959 when he conducted an extraordinarily memorable account of Brahmsâs Symphony No.2. Every broadcast is captured here in exemplary sound for the time.
This set of âliveâ authorized recordings featuring the highly distinguished conductor Bruno Walter with the BBC Symphony Orchestra comes from the BBCâs annual May Festival, held in London in 1955. None of these recordings has been published before, and in the case of Wagnerâs Faust Overture, this is Walterâs only post-war account. The mid-1950s saw Walter at the height of his powers, and the âliveâ recordings here are very focused, having a great sense of forward movement and excitement â most notably in Haydnâs Symphony No.96 and Mahlerâs Symphony No.1 â compared to some of the studio accounts in the early 1960s when Walter was well into his 80s. The set also contains Walter with the great German soprano Irmgard Seefried in âWo die schönen Trompeten blasenâ from Des Knaben Wunderhorn, which illustrates both her superb artistry and his genius as a Mahler conductor. Brahmsâs Song of Destiny (Schicksalslied), a Walter favorite, completes the set. All recordings have been sourced from the Richard Itter archive, as Beecham caught âliveâ often showed the mercurial side of his character, and no performance was the same either in the studio or in the concert hall. All the performances included here from the Edinburgh Festival, Londonâs Royal Albert Hall, Royal Festival Hall and the BBC Studios are from Beechamâs final years, from 1954 when he had fully established the Royal Philharmonic Orchestra and himself as central figures in Englandâs musical life, to 1959 when he conducted an extraordinarily memorable account of Brahmsâs Symphony No.2. Every broadcast is captured here in exemplary sound for the time.
Description
This set of âliveâ authorized recordings featuring the highly distinguished conductor Bruno Walter with the BBC Symphony Orchestra comes from the BBCâs annual May Festival, held in London in 1955. None of these recordings has been published before, and in the case of Wagnerâs Faust Overture, this is Walterâs only post-war account. The mid-1950s saw Walter at the height of his powers, and the âliveâ recordings here are very focused, having a great sense of forward movement and excitement â most notably in Haydnâs Symphony No.96 and Mahlerâs Symphony No.1 â compared to some of the studio accounts in the early 1960s when Walter was well into his 80s. The set also contains Walter with the great German soprano Irmgard Seefried in âWo die schönen Trompeten blasenâ from Des Knaben Wunderhorn, which illustrates both her superb artistry and his genius as a Mahler conductor. Brahmsâs Song of Destiny (Schicksalslied), a Walter favorite, completes the set. All recordings have been sourced from the Richard Itter archive, as Beecham caught âliveâ often showed the mercurial side of his character, and no performance was the same either in the studio or in the concert hall. All the performances included here from the Edinburgh Festival, Londonâs Royal Albert Hall, Royal Festival Hall and the BBC Studios are from Beechamâs final years, from 1954 when he had fully established the Royal Philharmonic Orchestra and himself as central figures in Englandâs musical life, to 1959 when he conducted an extraordinarily memorable account of Brahmsâs Symphony No.2. Every broadcast is captured here in exemplary sound for the time.























