Mario Capuana, Bonaventura Rubino: Requiem
Dated 1650 and 1653 respectively, the Requiem Masses by Mario Capuana and Bonaventura Rubino are apparently the only two Requiem settings composed in Sicily during the Baroque period. Capuana’s work is imbued with the intense emotion of the madrigal school whilst Rubino’s is a true apotheosis of Renaissance polyphony. The Namur Chamber Choir, founded 1987, champions the musical heritage of its native region while at the same time tackling the Great Works of the choral repertoire. In January 2010, the Argentinian conductor Leonardo Garcia Alarcón was appointed the Choir’s artistic director.
Dated 1650 and 1653 respectively, the Requiem Masses by Mario Capuana and Bonaventura Rubino are apparently the only two Requiem settings composed in Sicily during the Baroque period. Capuana’s work is imbued with the intense emotion of the madrigal school whilst Rubino’s is a true apotheosis of Renaissance polyphony. The Namur Chamber Choir, founded 1987, champions the musical heritage of its native region while at the same time tackling the Great Works of the choral repertoire. In January 2010, the Argentinian conductor Leonardo Garcia Alarcón was appointed the Choir’s artistic director.
Description
Dated 1650 and 1653 respectively, the Requiem Masses by Mario Capuana and Bonaventura Rubino are apparently the only two Requiem settings composed in Sicily during the Baroque period. Capuana’s work is imbued with the intense emotion of the madrigal school whilst Rubino’s is a true apotheosis of Renaissance polyphony. The Namur Chamber Choir, founded 1987, champions the musical heritage of its native region while at the same time tackling the Great Works of the choral repertoire. In January 2010, the Argentinian conductor Leonardo Garcia Alarcón was appointed the Choir’s artistic director.
