
Milan: El Maestro, Libro 1 / Escobar
Although biographical details of his life remain sketchy, Luys MilĂĄnâs Libro de mĂșsica de vihuela de mano intitulado El Maestro is certainly the oldest surviving printed collection of vihuela music. Tuned like the contemporary Renaissance lute, the Spanish vihuela is a guitar-shaped instrument and for it MilĂĄn wrote a series of compelling works including fantasias and pavans that maturely fused improvisatory and polyphonic elements. This recording presents all the solo vihuela pieces from the first book of El Maestro in the order in which they appear.
Although biographical details of his life remain sketchy, Luys MilĂĄnâs Libro de mĂșsica de vihuela de mano intitulado El Maestro is certainly the oldest surviving printed collection of vihuela music. Tuned like the contemporary Renaissance lute, the Spanish vihuela is a guitar-shaped instrument and for it MilĂĄn wrote a series of compelling works including fantasias and pavans that maturely fused improvisatory and polyphonic elements. This recording presents all the solo vihuela pieces from the first book of El Maestro in the order in which they appear.
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Although biographical details of his life remain sketchy, Luys MilĂĄnâs Libro de mĂșsica de vihuela de mano intitulado El Maestro is certainly the oldest surviving printed collection of vihuela music. Tuned like the contemporary Renaissance lute, the Spanish vihuela is a guitar-shaped instrument and for it MilĂĄn wrote a series of compelling works including fantasias and pavans that maturely fused improvisatory and polyphonic elements. This recording presents all the solo vihuela pieces from the first book of El Maestro in the order in which they appear.





















