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Music from the Peterhouse Partbooks, Vol. 5 / Metcalfe, Blue Heron
2018 Gramophone Magazine Early Music Award Winner
Volume 5 of Music from the Peterhouse Partbooks contains the world premiere recording of a Mass by an anonymous English composer from the first half of the 16th century. Since the source of the cantus firmus has not been identified, the Mass remains without a name ("sine nomine"). The release also includes an antiphon addressed to St. Augustine of Canterbury which is the only surviving work of Hugh Sturmy, a short and dramatic Ave Maria mater dei by Robert Hunt, whose Stabat mater is a highlight of vol. 3 of the series, and the sonorous and captivating Ve nobis miseris by John Mason, for men's voices in five parts. This recording is part of a 5-release project which began in 2010.
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REVIEW:
The anonymously-composed Mass in particular is superb. Whoever wrote it almost certainly knew Taverner's Gloria tibi Trinitas, for echoes of it abound, yet it is no slavish imitation. For this piece alone the disc is worth owning. This is one of the discoveries of the year.
– Gramophone
2018 Gramophone Magazine Early Music Award Winner
Volume 5 of Music from the Peterhouse Partbooks contains the world premiere recording of a Mass by an anonymous English composer from the first half of the 16th century. Since the source of the cantus firmus has not been identified, the Mass remains without a name ("sine nomine"). The release also includes an antiphon addressed to St. Augustine of Canterbury which is the only surviving work of Hugh Sturmy, a short and dramatic Ave Maria mater dei by Robert Hunt, whose Stabat mater is a highlight of vol. 3 of the series, and the sonorous and captivating Ve nobis miseris by John Mason, for men's voices in five parts. This recording is part of a 5-release project which began in 2010.
-----
REVIEW:
The anonymously-composed Mass in particular is superb. Whoever wrote it almost certainly knew Taverner's Gloria tibi Trinitas, for echoes of it abound, yet it is no slavish imitation. For this piece alone the disc is worth owning. This is one of the discoveries of the year.
– Gramophone
$21.99
Music from the Peterhouse Partbooks, Vol. 5 / Metcalfe, Blue Heron—
$21.99
Description
2018 Gramophone Magazine Early Music Award Winner
Volume 5 of Music from the Peterhouse Partbooks contains the world premiere recording of a Mass by an anonymous English composer from the first half of the 16th century. Since the source of the cantus firmus has not been identified, the Mass remains without a name ("sine nomine"). The release also includes an antiphon addressed to St. Augustine of Canterbury which is the only surviving work of Hugh Sturmy, a short and dramatic Ave Maria mater dei by Robert Hunt, whose Stabat mater is a highlight of vol. 3 of the series, and the sonorous and captivating Ve nobis miseris by John Mason, for men's voices in five parts. This recording is part of a 5-release project which began in 2010.
-----
REVIEW:
The anonymously-composed Mass in particular is superb. Whoever wrote it almost certainly knew Taverner's Gloria tibi Trinitas, for echoes of it abound, yet it is no slavish imitation. For this piece alone the disc is worth owning. This is one of the discoveries of the year.
– Gramophone
