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Nielsen, Ibert & Arnold: Flute Concertos / Andrada, Martin, Frankfurt Radio Symphony
In this album Clara Andrada, solo flutist of the Frankfurt Radio Symphony, performs three 20th century flute concertos together with the orchestra conducted by Jaime MartĂn. Malcolm Arnoldâs delightful Flute Concerto No. 1 makes a pleasant addition alongside Nielsenâs and Ibertâs flute concertos. Jaime MartĂn, himself an excellent flutist, is a perfect companion to these works. This is the orchestraâs second album for Ondine, and continues the fruitful collaboration between Jaime MartĂn and Ondine that has already produced three albums previously. Clara Andrada de la Calleis one of the leading Flute players of her generation currently holding Solo Flute positions of both the Chamber Orchestra of Europe and the Frankfurt Radio Symphony Orchestra. Born in Salamanca, she commenced her musical studies with Pablo Sagredo and Magdalena MartĂnez at the Syrinx School of Music. Scholarships from the Spanish Ministry of Culture and the London Wall Trust Foundation enabled her to continue her studies at the Geneva Conservatory of Music under Prof. Emmanuel Pahud and Prof. J.D. Castellon as well as the London Royal College of Music under the guidance of Jaime MartĂn. As a Principal Flute player, she has worked with many leading orchestras, including the London Symphony Orchestra, London Philharmonic, Swedish Radio, Rotterdam Philharmonic, and NDR Elbphilharmonie Orchestra under esteemed conductors including Nikolaus Harnoncourt, Valery Gergiev, Colin Davis, Bernard Haitink, Vladimir Ashkenazy, Myung-whun Chung, and Lorin Maazel.
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REVIEW:
Competition abounds in Nielsenâs Flute Concerto of 1926 but Andrada is totally inside the unsettled, quixotic nature of the music and communicates lyrical passages with ardent conviction. Jaime MartĂn, himself a distinguished flautist, provides lithe and vibrant accompaniment in both the Nielsen and Ibert concertos, while Andrada herself directs the strings with impressive authority in the Arnold concerto. The quality of the recording in all three works is as bright and vivid as the performances.
â Gramophone
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REVIEW:
Competition abounds in Nielsenâs Flute Concerto of 1926 but Andrada is totally inside the unsettled, quixotic nature of the music and communicates lyrical passages with ardent conviction. Jaime MartĂn, himself a distinguished flautist, provides lithe and vibrant accompaniment in both the Nielsen and Ibert concertos, while Andrada herself directs the strings with impressive authority in the Arnold concerto. The quality of the recording in all three works is as bright and vivid as the performances.
â Gramophone
In this album Clara Andrada, solo flutist of the Frankfurt Radio Symphony, performs three 20th century flute concertos together with the orchestra conducted by Jaime MartĂn. Malcolm Arnoldâs delightful Flute Concerto No. 1 makes a pleasant addition alongside Nielsenâs and Ibertâs flute concertos. Jaime MartĂn, himself an excellent flutist, is a perfect companion to these works. This is the orchestraâs second album for Ondine, and continues the fruitful collaboration between Jaime MartĂn and Ondine that has already produced three albums previously. Clara Andrada de la Calleis one of the leading Flute players of her generation currently holding Solo Flute positions of both the Chamber Orchestra of Europe and the Frankfurt Radio Symphony Orchestra. Born in Salamanca, she commenced her musical studies with Pablo Sagredo and Magdalena MartĂnez at the Syrinx School of Music. Scholarships from the Spanish Ministry of Culture and the London Wall Trust Foundation enabled her to continue her studies at the Geneva Conservatory of Music under Prof. Emmanuel Pahud and Prof. J.D. Castellon as well as the London Royal College of Music under the guidance of Jaime MartĂn. As a Principal Flute player, she has worked with many leading orchestras, including the London Symphony Orchestra, London Philharmonic, Swedish Radio, Rotterdam Philharmonic, and NDR Elbphilharmonie Orchestra under esteemed conductors including Nikolaus Harnoncourt, Valery Gergiev, Colin Davis, Bernard Haitink, Vladimir Ashkenazy, Myung-whun Chung, and Lorin Maazel.
-----
REVIEW:
Competition abounds in Nielsenâs Flute Concerto of 1926 but Andrada is totally inside the unsettled, quixotic nature of the music and communicates lyrical passages with ardent conviction. Jaime MartĂn, himself a distinguished flautist, provides lithe and vibrant accompaniment in both the Nielsen and Ibert concertos, while Andrada herself directs the strings with impressive authority in the Arnold concerto. The quality of the recording in all three works is as bright and vivid as the performances.
â Gramophone
-----
REVIEW:
Competition abounds in Nielsenâs Flute Concerto of 1926 but Andrada is totally inside the unsettled, quixotic nature of the music and communicates lyrical passages with ardent conviction. Jaime MartĂn, himself a distinguished flautist, provides lithe and vibrant accompaniment in both the Nielsen and Ibert concertos, while Andrada herself directs the strings with impressive authority in the Arnold concerto. The quality of the recording in all three works is as bright and vivid as the performances.
â Gramophone
$18.99
Nielsen, Ibert & Arnold: Flute Concertos / Andrada, Martin, Frankfurt Radio Symphonyâ
$18.99
Description
In this album Clara Andrada, solo flutist of the Frankfurt Radio Symphony, performs three 20th century flute concertos together with the orchestra conducted by Jaime MartĂn. Malcolm Arnoldâs delightful Flute Concerto No. 1 makes a pleasant addition alongside Nielsenâs and Ibertâs flute concertos. Jaime MartĂn, himself an excellent flutist, is a perfect companion to these works. This is the orchestraâs second album for Ondine, and continues the fruitful collaboration between Jaime MartĂn and Ondine that has already produced three albums previously. Clara Andrada de la Calleis one of the leading Flute players of her generation currently holding Solo Flute positions of both the Chamber Orchestra of Europe and the Frankfurt Radio Symphony Orchestra. Born in Salamanca, she commenced her musical studies with Pablo Sagredo and Magdalena MartĂnez at the Syrinx School of Music. Scholarships from the Spanish Ministry of Culture and the London Wall Trust Foundation enabled her to continue her studies at the Geneva Conservatory of Music under Prof. Emmanuel Pahud and Prof. J.D. Castellon as well as the London Royal College of Music under the guidance of Jaime MartĂn. As a Principal Flute player, she has worked with many leading orchestras, including the London Symphony Orchestra, London Philharmonic, Swedish Radio, Rotterdam Philharmonic, and NDR Elbphilharmonie Orchestra under esteemed conductors including Nikolaus Harnoncourt, Valery Gergiev, Colin Davis, Bernard Haitink, Vladimir Ashkenazy, Myung-whun Chung, and Lorin Maazel.
-----
REVIEW:
Competition abounds in Nielsenâs Flute Concerto of 1926 but Andrada is totally inside the unsettled, quixotic nature of the music and communicates lyrical passages with ardent conviction. Jaime MartĂn, himself a distinguished flautist, provides lithe and vibrant accompaniment in both the Nielsen and Ibert concertos, while Andrada herself directs the strings with impressive authority in the Arnold concerto. The quality of the recording in all three works is as bright and vivid as the performances.
â Gramophone
-----
REVIEW:
Competition abounds in Nielsenâs Flute Concerto of 1926 but Andrada is totally inside the unsettled, quixotic nature of the music and communicates lyrical passages with ardent conviction. Jaime MartĂn, himself a distinguished flautist, provides lithe and vibrant accompaniment in both the Nielsen and Ibert concertos, while Andrada herself directs the strings with impressive authority in the Arnold concerto. The quality of the recording in all three works is as bright and vivid as the performances.
â Gramophone
