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Out Of The Night - Part: Magnificat; Tavener: Threnos, Etc
This beautiful disc juxtaposes the work of two composers whose names are frequently placed together for their combination of minimalist and early music elements as well as their Orthodox spirituality. Estonian Arvo PĂ€rt has the sparer style, elements pared down to the most basic chords, notes alternated like bells against a quiet, static background, while Englishman Tavener is the more outwardly ecstatic, using winding, chant-influenced melodies to achieve a kind of rapture.
Andrew Parrott's Taverner Choir, famed for their performances of early music, gives oustanding performances of these modern works with ancient roots, providing the perfect, clear, non-vibrato sound for the PĂ€rt, while also delivering the more tremulous expression needed for the Tavener. A highlight of the program is the seldom-heard 'Canticle of the Mother of God' by Tavener, an early piece that actually employs serial methods yet clearly points in the direction of his later music.
Andrew Parrott's Taverner Choir, famed for their performances of early music, gives oustanding performances of these modern works with ancient roots, providing the perfect, clear, non-vibrato sound for the PĂ€rt, while also delivering the more tremulous expression needed for the Tavener. A highlight of the program is the seldom-heard 'Canticle of the Mother of God' by Tavener, an early piece that actually employs serial methods yet clearly points in the direction of his later music.
This beautiful disc juxtaposes the work of two composers whose names are frequently placed together for their combination of minimalist and early music elements as well as their Orthodox spirituality. Estonian Arvo PĂ€rt has the sparer style, elements pared down to the most basic chords, notes alternated like bells against a quiet, static background, while Englishman Tavener is the more outwardly ecstatic, using winding, chant-influenced melodies to achieve a kind of rapture.
Andrew Parrott's Taverner Choir, famed for their performances of early music, gives oustanding performances of these modern works with ancient roots, providing the perfect, clear, non-vibrato sound for the PĂ€rt, while also delivering the more tremulous expression needed for the Tavener. A highlight of the program is the seldom-heard 'Canticle of the Mother of God' by Tavener, an early piece that actually employs serial methods yet clearly points in the direction of his later music.
Andrew Parrott's Taverner Choir, famed for their performances of early music, gives oustanding performances of these modern works with ancient roots, providing the perfect, clear, non-vibrato sound for the PĂ€rt, while also delivering the more tremulous expression needed for the Tavener. A highlight of the program is the seldom-heard 'Canticle of the Mother of God' by Tavener, an early piece that actually employs serial methods yet clearly points in the direction of his later music.
$3.15
Original: $8.99
-65%Out Of The Night - Part: Magnificat; Tavener: Threnos, Etcâ
$8.99
$3.15Description
This beautiful disc juxtaposes the work of two composers whose names are frequently placed together for their combination of minimalist and early music elements as well as their Orthodox spirituality. Estonian Arvo PĂ€rt has the sparer style, elements pared down to the most basic chords, notes alternated like bells against a quiet, static background, while Englishman Tavener is the more outwardly ecstatic, using winding, chant-influenced melodies to achieve a kind of rapture.
Andrew Parrott's Taverner Choir, famed for their performances of early music, gives oustanding performances of these modern works with ancient roots, providing the perfect, clear, non-vibrato sound for the PĂ€rt, while also delivering the more tremulous expression needed for the Tavener. A highlight of the program is the seldom-heard 'Canticle of the Mother of God' by Tavener, an early piece that actually employs serial methods yet clearly points in the direction of his later music.
Andrew Parrott's Taverner Choir, famed for their performances of early music, gives oustanding performances of these modern works with ancient roots, providing the perfect, clear, non-vibrato sound for the PĂ€rt, while also delivering the more tremulous expression needed for the Tavener. A highlight of the program is the seldom-heard 'Canticle of the Mother of God' by Tavener, an early piece that actually employs serial methods yet clearly points in the direction of his later music.
