
Overtures from the British Isles / Gamba
Rumon Gamba and the BBC National Orchestra of Wales present a collection of rarely heard overtures from the British Isles. Among these is Sir Frederic Cowenâs The Butterflyâs Ball (1901), illustrating a popular childrenâs poem by William Roscoe. All is vividly evoked by Cowenâs pleasing melodic lines and delicate instrumental colour. It is easy to see why, in its day, the piece was a firm favourite, being played twenty-six times at the Proms between 1900 and 1940. Samuel Coleridge-Taylor achieved immediate success early in his career with his four-part cantata cycle collectively known as Scenes from The Song of Hiawatha. The Overture, composed in 1899, was intended as a prelude to the complete cycle but is now rarely heard in this context. Indeed, very little of the material in this Overture comes from the other Hiawatha pieces, the principal theme being the spiritual âNobody knows the trouble I see, Lordâ. Perhaps better known as a leading baritone of his generation, Frederic Austin was also a composer of some achievement. In his tuneful and exciting concert overture The Sea Venturers, from 1936, he wanted to evoke âsomething of the lives and character of English seamen who...took peril and pleasure as it cameâ. - Chandos
Rumon Gamba and the BBC National Orchestra of Wales present a collection of rarely heard overtures from the British Isles. Among these is Sir Frederic Cowenâs The Butterflyâs Ball (1901), illustrating a popular childrenâs poem by William Roscoe. All is vividly evoked by Cowenâs pleasing melodic lines and delicate instrumental colour. It is easy to see why, in its day, the piece was a firm favourite, being played twenty-six times at the Proms between 1900 and 1940. Samuel Coleridge-Taylor achieved immediate success early in his career with his four-part cantata cycle collectively known as Scenes from The Song of Hiawatha. The Overture, composed in 1899, was intended as a prelude to the complete cycle but is now rarely heard in this context. Indeed, very little of the material in this Overture comes from the other Hiawatha pieces, the principal theme being the spiritual âNobody knows the trouble I see, Lordâ. Perhaps better known as a leading baritone of his generation, Frederic Austin was also a composer of some achievement. In his tuneful and exciting concert overture The Sea Venturers, from 1936, he wanted to evoke âsomething of the lives and character of English seamen who...took peril and pleasure as it cameâ. - Chandos
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Rumon Gamba and the BBC National Orchestra of Wales present a collection of rarely heard overtures from the British Isles. Among these is Sir Frederic Cowenâs The Butterflyâs Ball (1901), illustrating a popular childrenâs poem by William Roscoe. All is vividly evoked by Cowenâs pleasing melodic lines and delicate instrumental colour. It is easy to see why, in its day, the piece was a firm favourite, being played twenty-six times at the Proms between 1900 and 1940. Samuel Coleridge-Taylor achieved immediate success early in his career with his four-part cantata cycle collectively known as Scenes from The Song of Hiawatha. The Overture, composed in 1899, was intended as a prelude to the complete cycle but is now rarely heard in this context. Indeed, very little of the material in this Overture comes from the other Hiawatha pieces, the principal theme being the spiritual âNobody knows the trouble I see, Lordâ. Perhaps better known as a leading baritone of his generation, Frederic Austin was also a composer of some achievement. In his tuneful and exciting concert overture The Sea Venturers, from 1936, he wanted to evoke âsomething of the lives and character of English seamen who...took peril and pleasure as it cameâ. - Chandos























