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Pfitzner: Palestrina / Petrenko, Frankfurt Opera and Museum Orchestra
OehmsClassicsâ presents the first complete recording of an opera conducted by Kirill Petrenko. In summer 2013, Petrenko will conduct the Ring des Nibelungen for the composerâs 200th birthday in Bayreuth. The Bavarian State Opera has appointed him its General Music Director as of the 2013/14 season.
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REVIEW:
Conductor Kirill Petrenko, leader of Bayreuthâs bicentenary Ring, matches Rudolf Kempeâs recently rediscovered 1955 Salzburg performance (Walhall): theyâre both compelling story-tellers of large-scale operatic narrative who can mix and match dialogue scenes with varied tempi and dramatically appropriate orchestral balance. Frankfurtâs cast has plenty of gutsy ecclesiastical characters in the Council scene, Stallmeister and Mahnke do well by Ighino and Silla (but donât miss young Elisabeth Söderströmâs Son for Kempe), Koch is a worthy Borromeo and the whole is a triumph for British tenor Peter Bronder in the title-role.
â Gramophone
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REVIEW:
Conductor Kirill Petrenko, leader of Bayreuthâs bicentenary Ring, matches Rudolf Kempeâs recently rediscovered 1955 Salzburg performance (Walhall): theyâre both compelling story-tellers of large-scale operatic narrative who can mix and match dialogue scenes with varied tempi and dramatically appropriate orchestral balance. Frankfurtâs cast has plenty of gutsy ecclesiastical characters in the Council scene, Stallmeister and Mahnke do well by Ighino and Silla (but donât miss young Elisabeth Söderströmâs Son for Kempe), Koch is a worthy Borromeo and the whole is a triumph for British tenor Peter Bronder in the title-role.
â Gramophone
OehmsClassicsâ presents the first complete recording of an opera conducted by Kirill Petrenko. In summer 2013, Petrenko will conduct the Ring des Nibelungen for the composerâs 200th birthday in Bayreuth. The Bavarian State Opera has appointed him its General Music Director as of the 2013/14 season.
-----
REVIEW:
Conductor Kirill Petrenko, leader of Bayreuthâs bicentenary Ring, matches Rudolf Kempeâs recently rediscovered 1955 Salzburg performance (Walhall): theyâre both compelling story-tellers of large-scale operatic narrative who can mix and match dialogue scenes with varied tempi and dramatically appropriate orchestral balance. Frankfurtâs cast has plenty of gutsy ecclesiastical characters in the Council scene, Stallmeister and Mahnke do well by Ighino and Silla (but donât miss young Elisabeth Söderströmâs Son for Kempe), Koch is a worthy Borromeo and the whole is a triumph for British tenor Peter Bronder in the title-role.
â Gramophone
-----
REVIEW:
Conductor Kirill Petrenko, leader of Bayreuthâs bicentenary Ring, matches Rudolf Kempeâs recently rediscovered 1955 Salzburg performance (Walhall): theyâre both compelling story-tellers of large-scale operatic narrative who can mix and match dialogue scenes with varied tempi and dramatically appropriate orchestral balance. Frankfurtâs cast has plenty of gutsy ecclesiastical characters in the Council scene, Stallmeister and Mahnke do well by Ighino and Silla (but donât miss young Elisabeth Söderströmâs Son for Kempe), Koch is a worthy Borromeo and the whole is a triumph for British tenor Peter Bronder in the title-role.
â Gramophone
$13.30
Original: $37.99
-65%Pfitzner: Palestrina / Petrenko, Frankfurt Opera and Museum Orchestraâ
$37.99
$13.30Description
OehmsClassicsâ presents the first complete recording of an opera conducted by Kirill Petrenko. In summer 2013, Petrenko will conduct the Ring des Nibelungen for the composerâs 200th birthday in Bayreuth. The Bavarian State Opera has appointed him its General Music Director as of the 2013/14 season.
-----
REVIEW:
Conductor Kirill Petrenko, leader of Bayreuthâs bicentenary Ring, matches Rudolf Kempeâs recently rediscovered 1955 Salzburg performance (Walhall): theyâre both compelling story-tellers of large-scale operatic narrative who can mix and match dialogue scenes with varied tempi and dramatically appropriate orchestral balance. Frankfurtâs cast has plenty of gutsy ecclesiastical characters in the Council scene, Stallmeister and Mahnke do well by Ighino and Silla (but donât miss young Elisabeth Söderströmâs Son for Kempe), Koch is a worthy Borromeo and the whole is a triumph for British tenor Peter Bronder in the title-role.
â Gramophone
-----
REVIEW:
Conductor Kirill Petrenko, leader of Bayreuthâs bicentenary Ring, matches Rudolf Kempeâs recently rediscovered 1955 Salzburg performance (Walhall): theyâre both compelling story-tellers of large-scale operatic narrative who can mix and match dialogue scenes with varied tempi and dramatically appropriate orchestral balance. Frankfurtâs cast has plenty of gutsy ecclesiastical characters in the Council scene, Stallmeister and Mahnke do well by Ighino and Silla (but donât miss young Elisabeth Söderströmâs Son for Kempe), Koch is a worthy Borromeo and the whole is a triumph for British tenor Peter Bronder in the title-role.
â Gramophone
