
Puccini: Turandot / Noseda, Teatro Regio Torino
Giacomo Pucciniâs three act opera Turandot is set in China and tells the story of Prince Calaf who falls in love with the Princess Turandot. To obtain permission to marry her, a suitor has to solve three riddles, but any wrong answer results in death. Rebeka Lokar is a âcommanding Turandotâ (Bachtrack) and Jorge de LeĂłn as the Princessâ suitor a âtrue giantâ (Corriere della Sera) with his perfect rendition of âNessun dormaâ. Grammy Award nominee Gianandrea Noseda impressively conducts the Orchestra and Chorus of the Teatro Regio âas modern as you have rarely experienced it. Chapeau!â (Operalounge) Stage director Stefano Poda dedicates himself to bring Pucciniâs Ancient Chinese setting to life. To achieve an aesthetic and conceptual unity, his work also encompasses set and costume design as well as lighting and choreography. âExtraordinary Turandotâ (La Repubblica), âunanimous applause at the end!â (La Stampa). âThe icy Turandot inflames the Teatro Regio!â (Corriere della Sera)
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REVIEW:
Noseda will be missed at Turin, as this punchy and incisive performance reveals. Overall, speeds are brisk but there is plenty of atmospheric detail. Grimaldiâs LiĂč is really the true heroine here, given the productionâs skewed emphasis. Still, itâs a pity that the Slovenian soprano Rebeka Lokar gets so little input into Turandot, as she attacks those murderous high notes in juicy and vibrant voice.
â Gramophone
Giacomo Pucciniâs three act opera Turandot is set in China and tells the story of Prince Calaf who falls in love with the Princess Turandot. To obtain permission to marry her, a suitor has to solve three riddles, but any wrong answer results in death. Rebeka Lokar is a âcommanding Turandotâ (Bachtrack) and Jorge de LeĂłn as the Princessâ suitor a âtrue giantâ (Corriere della Sera) with his perfect rendition of âNessun dormaâ. Grammy Award nominee Gianandrea Noseda impressively conducts the Orchestra and Chorus of the Teatro Regio âas modern as you have rarely experienced it. Chapeau!â (Operalounge) Stage director Stefano Poda dedicates himself to bring Pucciniâs Ancient Chinese setting to life. To achieve an aesthetic and conceptual unity, his work also encompasses set and costume design as well as lighting and choreography. âExtraordinary Turandotâ (La Repubblica), âunanimous applause at the end!â (La Stampa). âThe icy Turandot inflames the Teatro Regio!â (Corriere della Sera)
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REVIEW:
Noseda will be missed at Turin, as this punchy and incisive performance reveals. Overall, speeds are brisk but there is plenty of atmospheric detail. Grimaldiâs LiĂč is really the true heroine here, given the productionâs skewed emphasis. Still, itâs a pity that the Slovenian soprano Rebeka Lokar gets so little input into Turandot, as she attacks those murderous high notes in juicy and vibrant voice.
â Gramophone
Original: $17.99
-65%$17.99
$6.30Description
Giacomo Pucciniâs three act opera Turandot is set in China and tells the story of Prince Calaf who falls in love with the Princess Turandot. To obtain permission to marry her, a suitor has to solve three riddles, but any wrong answer results in death. Rebeka Lokar is a âcommanding Turandotâ (Bachtrack) and Jorge de LeĂłn as the Princessâ suitor a âtrue giantâ (Corriere della Sera) with his perfect rendition of âNessun dormaâ. Grammy Award nominee Gianandrea Noseda impressively conducts the Orchestra and Chorus of the Teatro Regio âas modern as you have rarely experienced it. Chapeau!â (Operalounge) Stage director Stefano Poda dedicates himself to bring Pucciniâs Ancient Chinese setting to life. To achieve an aesthetic and conceptual unity, his work also encompasses set and costume design as well as lighting and choreography. âExtraordinary Turandotâ (La Repubblica), âunanimous applause at the end!â (La Stampa). âThe icy Turandot inflames the Teatro Regio!â (Corriere della Sera)
-----
REVIEW:
Noseda will be missed at Turin, as this punchy and incisive performance reveals. Overall, speeds are brisk but there is plenty of atmospheric detail. Grimaldiâs LiĂč is really the true heroine here, given the productionâs skewed emphasis. Still, itâs a pity that the Slovenian soprano Rebeka Lokar gets so little input into Turandot, as she attacks those murderous high notes in juicy and vibrant voice.
â Gramophone



















