
Romberg: Symphonies Nos. 1 & 3 / Kevin Griffiths, Phion, Orchestra Of Gelderland And Overijssel
Andreas Romberg is now more than an insiderâs tip; he is a recognized composer situated on the interface between Classicism and Romanticism. Romberg was regarded as a celebrated violin virtuoso, concertmaster, and composer, and his stays in Paris, Vienna, Prague, and Italy spread his fame internationally. He met Ludwig van Beethoven, Joseph Haydn, and many other musical personalities of his times. A great deal of his oeuvre covering all sorts of different genres was forgotten, but this is slowly changing, primarily owing to the âArbeitsstelle Andreas Rombergâ at the University of Vechta, a research center that since 1993 has engaged in the systematic investigation of this composerâs works. Of his ten symphonies, only six are extant, and only four of them were printed during his lifetime. However, his symphonies were extremely popular when they were written. In 1817 the Allgemeine musikalische Zeitung praised âwhat Haydn, Mozart, Beethoven, and Romberg have accomplished so far in this genre of musical works.â With these words the author numbered Romberg among the absolute âmastersâ in this field. For quite some time the performance figures for Rombergâs symphonies ranked second only to those for works by the Viennese Classicists. Now here it is: Vol. 1 with his Symphonies Nos. 1 and 3!
Andreas Romberg is now more than an insiderâs tip; he is a recognized composer situated on the interface between Classicism and Romanticism. Romberg was regarded as a celebrated violin virtuoso, concertmaster, and composer, and his stays in Paris, Vienna, Prague, and Italy spread his fame internationally. He met Ludwig van Beethoven, Joseph Haydn, and many other musical personalities of his times. A great deal of his oeuvre covering all sorts of different genres was forgotten, but this is slowly changing, primarily owing to the âArbeitsstelle Andreas Rombergâ at the University of Vechta, a research center that since 1993 has engaged in the systematic investigation of this composerâs works. Of his ten symphonies, only six are extant, and only four of them were printed during his lifetime. However, his symphonies were extremely popular when they were written. In 1817 the Allgemeine musikalische Zeitung praised âwhat Haydn, Mozart, Beethoven, and Romberg have accomplished so far in this genre of musical works.â With these words the author numbered Romberg among the absolute âmastersâ in this field. For quite some time the performance figures for Rombergâs symphonies ranked second only to those for works by the Viennese Classicists. Now here it is: Vol. 1 with his Symphonies Nos. 1 and 3!
Description
Andreas Romberg is now more than an insiderâs tip; he is a recognized composer situated on the interface between Classicism and Romanticism. Romberg was regarded as a celebrated violin virtuoso, concertmaster, and composer, and his stays in Paris, Vienna, Prague, and Italy spread his fame internationally. He met Ludwig van Beethoven, Joseph Haydn, and many other musical personalities of his times. A great deal of his oeuvre covering all sorts of different genres was forgotten, but this is slowly changing, primarily owing to the âArbeitsstelle Andreas Rombergâ at the University of Vechta, a research center that since 1993 has engaged in the systematic investigation of this composerâs works. Of his ten symphonies, only six are extant, and only four of them were printed during his lifetime. However, his symphonies were extremely popular when they were written. In 1817 the Allgemeine musikalische Zeitung praised âwhat Haydn, Mozart, Beethoven, and Romberg have accomplished so far in this genre of musical works.â With these words the author numbered Romberg among the absolute âmastersâ in this field. For quite some time the performance figures for Rombergâs symphonies ranked second only to those for works by the Viennese Classicists. Now here it is: Vol. 1 with his Symphonies Nos. 1 and 3!























