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Saint-Saens: Orchestral Works / Pastrana, Markl, Basque National Orchestra

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Saint-Saens: Orchestral Works / Pastrana, Markl, Basque National Orchestra

Saint-Saens’ travels often resulted in geographically themed works, such as the Suite algerienne: this exotic musical picture postcard- full of perfumed sensuality and the brazen confidence of march themes- reflects the composer’s visits to colonial North Africa. The two suites on this recording are both structured around dance movements and were originally scored for different forces- the Suite in D major, Op. 49 for harmonium, the Suite in D minor, Op. 16 for cello and piano. The engaging Serenade, Op. 15, rarely performed with its original, exotic scoring, is heard here in an orchestral transcription.

Saint-Saens’ travels often resulted in geographically themed works, such as the Suite algerienne: this exotic musical picture postcard- full of perfumed sensuality and the brazen confidence of march themes- reflects the composer’s visits to colonial North Africa. The two suites on this recording are both structured around dance movements and were originally scored for different forces- the Suite in D major, Op. 49 for harmonium, the Suite in D minor, Op. 16 for cello and piano. The engaging Serenade, Op. 15, rarely performed with its original, exotic scoring, is heard here in an orchestral transcription.

$19.99
Saint-Saens: Orchestral Works / Pastrana, Markl, Basque National Orchestra—
$19.99

Description

Saint-Saens’ travels often resulted in geographically themed works, such as the Suite algerienne: this exotic musical picture postcard- full of perfumed sensuality and the brazen confidence of march themes- reflects the composer’s visits to colonial North Africa. The two suites on this recording are both structured around dance movements and were originally scored for different forces- the Suite in D major, Op. 49 for harmonium, the Suite in D minor, Op. 16 for cello and piano. The engaging Serenade, Op. 15, rarely performed with its original, exotic scoring, is heard here in an orchestral transcription.