Andreas Blau and his orchestral colleagues of the Berliner Philharmoniker are to be admired for discovering the treasure that is Anton Hoffmeister’s Flute Quartets, and they play them superbly well, while placing Hoffmeister’s output in close proximity to Mozart and Haydn, and in the vicinity of early Beethoven. The solo parts are evidently tailor­made for the flute, and their virtuoso passages seem modeled on cadenzas from Mozart piano concertos. Their musical sensitivity, evident enjoyment and great orchestral experience ensure the recordings do not just document the artistry of so­called minor masters, but are a valuable addition to our view of the brilliant epoch of Viennese classicism.