
Shakespeare: Troilus & Cressida / Royal Shakespeare Company
Virtuoso percussionist Evelyn Glennie collaborates with RSC Artistic Director Gregory Doran to create a satirical futuristic vision of a world resounding with the rhythm of battle, a form of incidental music suited to this Shakespearean rarity.
âLechery, lechery, still wars and lechery: nothing else holds fashion.â Love, rivalry and war are a-plenty in this new production. Troilus and Cressida swear they will always be true to one another. But in the seventh year of the siege of Troy their innocence is tested, and exposed to the savage corrupting influence of war, with tragic consequences. âSweeping and confident production of Shakespeareâs rarely performed tragedy.â (The Standard)
REVIEWS:
Adjoa Andoh memorably brings out the manipulative monstrosity behind Ulyssesâs beguiling rhetoric, literally loading the dice when it comes to the choice of a Greek champion to fight Hector. Oliver Ford Davies is a classic Pandarus, brimming over with senile prurience so that even a line such as âIâll go get a fireâ gains a lurking suggestiveness. The central lovers are also well played, with Amber Jamesâs spryly intelligent Cressida provoked beyond endurance by the naive insistence of Gavin Fowlerâs Troilus on her fidelity.
-- The Guardian
Virtuoso percussionist Evelyn Glennie collaborates with RSC Artistic Director Gregory Doran to create a satirical futuristic vision of a world resounding with the rhythm of battle, a form of incidental music suited to this Shakespearean rarity.
âLechery, lechery, still wars and lechery: nothing else holds fashion.â Love, rivalry and war are a-plenty in this new production. Troilus and Cressida swear they will always be true to one another. But in the seventh year of the siege of Troy their innocence is tested, and exposed to the savage corrupting influence of war, with tragic consequences. âSweeping and confident production of Shakespeareâs rarely performed tragedy.â (The Standard)
REVIEWS:
Adjoa Andoh memorably brings out the manipulative monstrosity behind Ulyssesâs beguiling rhetoric, literally loading the dice when it comes to the choice of a Greek champion to fight Hector. Oliver Ford Davies is a classic Pandarus, brimming over with senile prurience so that even a line such as âIâll go get a fireâ gains a lurking suggestiveness. The central lovers are also well played, with Amber Jamesâs spryly intelligent Cressida provoked beyond endurance by the naive insistence of Gavin Fowlerâs Troilus on her fidelity.
-- The Guardian
Original: $22.99
-65%$22.99
$8.05Description
Virtuoso percussionist Evelyn Glennie collaborates with RSC Artistic Director Gregory Doran to create a satirical futuristic vision of a world resounding with the rhythm of battle, a form of incidental music suited to this Shakespearean rarity.
âLechery, lechery, still wars and lechery: nothing else holds fashion.â Love, rivalry and war are a-plenty in this new production. Troilus and Cressida swear they will always be true to one another. But in the seventh year of the siege of Troy their innocence is tested, and exposed to the savage corrupting influence of war, with tragic consequences. âSweeping and confident production of Shakespeareâs rarely performed tragedy.â (The Standard)
REVIEWS:
Adjoa Andoh memorably brings out the manipulative monstrosity behind Ulyssesâs beguiling rhetoric, literally loading the dice when it comes to the choice of a Greek champion to fight Hector. Oliver Ford Davies is a classic Pandarus, brimming over with senile prurience so that even a line such as âIâll go get a fireâ gains a lurking suggestiveness. The central lovers are also well played, with Amber Jamesâs spryly intelligent Cressida provoked beyond endurance by the naive insistence of Gavin Fowlerâs Troilus on her fidelity.
-- The Guardian



















