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The Complete Traditional Christmas Carols Collection / Christophers, The Sixteen
It's no secret that if you're looking for a well-filled, thoughtfully programmed disc of Christmas choral music, you won't go wrong with any of The Sixteen's recordings. In 2006 this oft-lauded group led by founder Harry Christophers released a Volume 1 program of traditional carols, and this year (2010) decided to augment that release with a collection of 20 more favorites (including a few lesser-known pieces). Performed with the knowing style of a seasoned, professional British choir, these songs, hymns, and carols (all very loosely categorized here as "carols")--such gems as Holst's Masters in this hall, Poston's Jesus Christ the Apple Tree, and Darke's beloved In the bleak mid-winter--ring in the season intensified and made more meaningful by the choir's authority and respect for the music, its revered tradition, and with an obvious true love for its sound and inherent spirit.
Although Christophers mentions in the notes that selections were drawn from the 1928 Oxford Book of Carols, and certainly such pieces as the Gloucester Wassail, the Wexford Carol, and In dulci jubilo were at least partially lifted from that source, the provenance of many others is not so clearly evident (Of the Father's heart begotten, for example, isn't included in the 1928 OBC), although in some cases the popular "green" and "orange" carol books may have been consulted.
At any rate, these arrangements are all artful and refreshingly unadorned--in the best "traditional" realizations; where there is organ, its contributions are always tasteful, imaginative, and appropriate to support and/or enhance the singers. And as for the singers, well, this is one of the great, world-class choirs, its uniquely rich, vibrant sound characterized by pure-voiced sopranos and its contingent of male altos. The production and sound, from London's St. Giles Church, Cripplegate, presided over by the first-rate team of Mark Brown and Mike Hatch, is excellent. A solid and satisfying addition to any Christmas music library.
--David Vernier, ClassicsToday.com
Reviewing an earlier release that is part of this collection
Although Christophers mentions in the notes that selections were drawn from the 1928 Oxford Book of Carols, and certainly such pieces as the Gloucester Wassail, the Wexford Carol, and In dulci jubilo were at least partially lifted from that source, the provenance of many others is not so clearly evident (Of the Father's heart begotten, for example, isn't included in the 1928 OBC), although in some cases the popular "green" and "orange" carol books may have been consulted.
At any rate, these arrangements are all artful and refreshingly unadorned--in the best "traditional" realizations; where there is organ, its contributions are always tasteful, imaginative, and appropriate to support and/or enhance the singers. And as for the singers, well, this is one of the great, world-class choirs, its uniquely rich, vibrant sound characterized by pure-voiced sopranos and its contingent of male altos. The production and sound, from London's St. Giles Church, Cripplegate, presided over by the first-rate team of Mark Brown and Mike Hatch, is excellent. A solid and satisfying addition to any Christmas music library.
--David Vernier, ClassicsToday.com
Reviewing an earlier release that is part of this collection
It's no secret that if you're looking for a well-filled, thoughtfully programmed disc of Christmas choral music, you won't go wrong with any of The Sixteen's recordings. In 2006 this oft-lauded group led by founder Harry Christophers released a Volume 1 program of traditional carols, and this year (2010) decided to augment that release with a collection of 20 more favorites (including a few lesser-known pieces). Performed with the knowing style of a seasoned, professional British choir, these songs, hymns, and carols (all very loosely categorized here as "carols")--such gems as Holst's Masters in this hall, Poston's Jesus Christ the Apple Tree, and Darke's beloved In the bleak mid-winter--ring in the season intensified and made more meaningful by the choir's authority and respect for the music, its revered tradition, and with an obvious true love for its sound and inherent spirit.
Although Christophers mentions in the notes that selections were drawn from the 1928 Oxford Book of Carols, and certainly such pieces as the Gloucester Wassail, the Wexford Carol, and In dulci jubilo were at least partially lifted from that source, the provenance of many others is not so clearly evident (Of the Father's heart begotten, for example, isn't included in the 1928 OBC), although in some cases the popular "green" and "orange" carol books may have been consulted.
At any rate, these arrangements are all artful and refreshingly unadorned--in the best "traditional" realizations; where there is organ, its contributions are always tasteful, imaginative, and appropriate to support and/or enhance the singers. And as for the singers, well, this is one of the great, world-class choirs, its uniquely rich, vibrant sound characterized by pure-voiced sopranos and its contingent of male altos. The production and sound, from London's St. Giles Church, Cripplegate, presided over by the first-rate team of Mark Brown and Mike Hatch, is excellent. A solid and satisfying addition to any Christmas music library.
--David Vernier, ClassicsToday.com
Reviewing an earlier release that is part of this collection
Although Christophers mentions in the notes that selections were drawn from the 1928 Oxford Book of Carols, and certainly such pieces as the Gloucester Wassail, the Wexford Carol, and In dulci jubilo were at least partially lifted from that source, the provenance of many others is not so clearly evident (Of the Father's heart begotten, for example, isn't included in the 1928 OBC), although in some cases the popular "green" and "orange" carol books may have been consulted.
At any rate, these arrangements are all artful and refreshingly unadorned--in the best "traditional" realizations; where there is organ, its contributions are always tasteful, imaginative, and appropriate to support and/or enhance the singers. And as for the singers, well, this is one of the great, world-class choirs, its uniquely rich, vibrant sound characterized by pure-voiced sopranos and its contingent of male altos. The production and sound, from London's St. Giles Church, Cripplegate, presided over by the first-rate team of Mark Brown and Mike Hatch, is excellent. A solid and satisfying addition to any Christmas music library.
--David Vernier, ClassicsToday.com
Reviewing an earlier release that is part of this collection
$15.99
The Complete Traditional Christmas Carols Collection / Christophers, The Sixteen—
$15.99
Description
It's no secret that if you're looking for a well-filled, thoughtfully programmed disc of Christmas choral music, you won't go wrong with any of The Sixteen's recordings. In 2006 this oft-lauded group led by founder Harry Christophers released a Volume 1 program of traditional carols, and this year (2010) decided to augment that release with a collection of 20 more favorites (including a few lesser-known pieces). Performed with the knowing style of a seasoned, professional British choir, these songs, hymns, and carols (all very loosely categorized here as "carols")--such gems as Holst's Masters in this hall, Poston's Jesus Christ the Apple Tree, and Darke's beloved In the bleak mid-winter--ring in the season intensified and made more meaningful by the choir's authority and respect for the music, its revered tradition, and with an obvious true love for its sound and inherent spirit.
Although Christophers mentions in the notes that selections were drawn from the 1928 Oxford Book of Carols, and certainly such pieces as the Gloucester Wassail, the Wexford Carol, and In dulci jubilo were at least partially lifted from that source, the provenance of many others is not so clearly evident (Of the Father's heart begotten, for example, isn't included in the 1928 OBC), although in some cases the popular "green" and "orange" carol books may have been consulted.
At any rate, these arrangements are all artful and refreshingly unadorned--in the best "traditional" realizations; where there is organ, its contributions are always tasteful, imaginative, and appropriate to support and/or enhance the singers. And as for the singers, well, this is one of the great, world-class choirs, its uniquely rich, vibrant sound characterized by pure-voiced sopranos and its contingent of male altos. The production and sound, from London's St. Giles Church, Cripplegate, presided over by the first-rate team of Mark Brown and Mike Hatch, is excellent. A solid and satisfying addition to any Christmas music library.
--David Vernier, ClassicsToday.com
Reviewing an earlier release that is part of this collection
Although Christophers mentions in the notes that selections were drawn from the 1928 Oxford Book of Carols, and certainly such pieces as the Gloucester Wassail, the Wexford Carol, and In dulci jubilo were at least partially lifted from that source, the provenance of many others is not so clearly evident (Of the Father's heart begotten, for example, isn't included in the 1928 OBC), although in some cases the popular "green" and "orange" carol books may have been consulted.
At any rate, these arrangements are all artful and refreshingly unadorned--in the best "traditional" realizations; where there is organ, its contributions are always tasteful, imaginative, and appropriate to support and/or enhance the singers. And as for the singers, well, this is one of the great, world-class choirs, its uniquely rich, vibrant sound characterized by pure-voiced sopranos and its contingent of male altos. The production and sound, from London's St. Giles Church, Cripplegate, presided over by the first-rate team of Mark Brown and Mike Hatch, is excellent. A solid and satisfying addition to any Christmas music library.
--David Vernier, ClassicsToday.com
Reviewing an earlier release that is part of this collection
