
Tomasi: Complete Violin Works / Moraly, David, Billard, Republican Guard Orchestra
Henri Tomasiâs violin works are little known but they offer a compact insight into the direction of French 20th-century composition. The Violin Concerto âPĂ©riple dâUlysseâ is a late work, by turns alluring, tragic and violent, conveyed through rhapsodic virtuosity and a rich sense of color. The Capriccio is full of elegance and refinement with emotional intensity in its slow movement and brilliance in its finale. Chant hĂ©braĂŻque conjures up Orientalist motifs while the sequence of early works for violin and piano reference Tomasiâs Corsican heritage and evoke quasi-cinematic exoticism.
REVIEW:
The most substantial work on the disc is 1962's Violin Concerto âPeriple dâUlysseâ (Ulyssesâ Journey). Cast in four movements itâs a veritable tour-de-force for the soloist, demanding a virtuoso technique of the highest order. The work is brilliantly scored; Tomasiâs colorful orchestration is impressive by any standards. Itâs highly rhapsodic, with moments of passionate intensity and drama.
The three-movement Capriccio (1931, rev. 1950) was, in effect, the composerâs first violin concerto. It conveys a distinctly Gallic tone. Once again, Tomasi proves himself a colorful and imaginative orchestrator. Two sprightly outer movements bookend a central Andante, described aptly in the booklet as âa moment of sheer beautyâ. Moraly fully savors its glories with a beautiful, rich, ravishing tone. Although only a short piece, the Chant hĂ©braĂŻque, written two years before the Capriccio, is a well-crafted score. Itâs gossamer orchestration and exotic flavour are enticing. StĂ©phanie Moraly is joined by pianist Romain David for the remaining four pieces. All are brief, the longest is just under six minutes.
I have really enjoyed this CD and recommend it wholeheartedly, simply because it ticks all the right boxes. Moraly and David perform these works with distinction. Their playing has precision and panache, and expressive warmth when called for. I admire their sublime musicianship. The recording is top notch.
-- MusicWeb International
Henri Tomasiâs violin works are little known but they offer a compact insight into the direction of French 20th-century composition. The Violin Concerto âPĂ©riple dâUlysseâ is a late work, by turns alluring, tragic and violent, conveyed through rhapsodic virtuosity and a rich sense of color. The Capriccio is full of elegance and refinement with emotional intensity in its slow movement and brilliance in its finale. Chant hĂ©braĂŻque conjures up Orientalist motifs while the sequence of early works for violin and piano reference Tomasiâs Corsican heritage and evoke quasi-cinematic exoticism.
REVIEW:
The most substantial work on the disc is 1962's Violin Concerto âPeriple dâUlysseâ (Ulyssesâ Journey). Cast in four movements itâs a veritable tour-de-force for the soloist, demanding a virtuoso technique of the highest order. The work is brilliantly scored; Tomasiâs colorful orchestration is impressive by any standards. Itâs highly rhapsodic, with moments of passionate intensity and drama.
The three-movement Capriccio (1931, rev. 1950) was, in effect, the composerâs first violin concerto. It conveys a distinctly Gallic tone. Once again, Tomasi proves himself a colorful and imaginative orchestrator. Two sprightly outer movements bookend a central Andante, described aptly in the booklet as âa moment of sheer beautyâ. Moraly fully savors its glories with a beautiful, rich, ravishing tone. Although only a short piece, the Chant hĂ©braĂŻque, written two years before the Capriccio, is a well-crafted score. Itâs gossamer orchestration and exotic flavour are enticing. StĂ©phanie Moraly is joined by pianist Romain David for the remaining four pieces. All are brief, the longest is just under six minutes.
I have really enjoyed this CD and recommend it wholeheartedly, simply because it ticks all the right boxes. Moraly and David perform these works with distinction. Their playing has precision and panache, and expressive warmth when called for. I admire their sublime musicianship. The recording is top notch.
-- MusicWeb International
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$4.90Description
Henri Tomasiâs violin works are little known but they offer a compact insight into the direction of French 20th-century composition. The Violin Concerto âPĂ©riple dâUlysseâ is a late work, by turns alluring, tragic and violent, conveyed through rhapsodic virtuosity and a rich sense of color. The Capriccio is full of elegance and refinement with emotional intensity in its slow movement and brilliance in its finale. Chant hĂ©braĂŻque conjures up Orientalist motifs while the sequence of early works for violin and piano reference Tomasiâs Corsican heritage and evoke quasi-cinematic exoticism.
REVIEW:
The most substantial work on the disc is 1962's Violin Concerto âPeriple dâUlysseâ (Ulyssesâ Journey). Cast in four movements itâs a veritable tour-de-force for the soloist, demanding a virtuoso technique of the highest order. The work is brilliantly scored; Tomasiâs colorful orchestration is impressive by any standards. Itâs highly rhapsodic, with moments of passionate intensity and drama.
The three-movement Capriccio (1931, rev. 1950) was, in effect, the composerâs first violin concerto. It conveys a distinctly Gallic tone. Once again, Tomasi proves himself a colorful and imaginative orchestrator. Two sprightly outer movements bookend a central Andante, described aptly in the booklet as âa moment of sheer beautyâ. Moraly fully savors its glories with a beautiful, rich, ravishing tone. Although only a short piece, the Chant hĂ©braĂŻque, written two years before the Capriccio, is a well-crafted score. Itâs gossamer orchestration and exotic flavour are enticing. StĂ©phanie Moraly is joined by pianist Romain David for the remaining four pieces. All are brief, the longest is just under six minutes.
I have really enjoyed this CD and recommend it wholeheartedly, simply because it ticks all the right boxes. Moraly and David perform these works with distinction. Their playing has precision and panache, and expressive warmth when called for. I admire their sublime musicianship. The recording is top notch.
-- MusicWeb International





















