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Vaccaj: Giulietta e Romeo / Quatrini, Teatro alla Scala [Blu-ray]
This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD players.
Also available on standard DVD
Nicola Vaccaj belonged to the Neapolitan school: a pupil of Paisiello and contemporary of Rossini, whose fame somehow obscured his own, he was well known and appreciated at his time, to the point that an extract from the last Act of his Giulietta e Romeo was chosen to substitute the same aria in Belliniâs I Capuleti e I Montecchi for an 1832 performance and this shift has remained common practice until the end of the 19th century. Therefore itâs hard to believe that Vaccajâs most notable success was neglected for such a long time as it âis an opera that could easily hold its own among the better-known works in the bel canto canon. It has taut plot, with a strong libretto, written by Romani, and is full of well-constructed ensemble piecesâ(Alan Neilson â Operawire) Within a traditional, 16th century setting, director Cecilia Ligorio choses to convey a sense of doom and tragedy which the entire work is imbued with, from the choice of costumes and settings to the stage lighting. âIt really was a well-paced, and visually pleasing production that successfully captured the love and hatred which drives the narrative forward.â(Alan Neilson â Operawire)
Also available on standard DVD
Nicola Vaccaj belonged to the Neapolitan school: a pupil of Paisiello and contemporary of Rossini, whose fame somehow obscured his own, he was well known and appreciated at his time, to the point that an extract from the last Act of his Giulietta e Romeo was chosen to substitute the same aria in Belliniâs I Capuleti e I Montecchi for an 1832 performance and this shift has remained common practice until the end of the 19th century. Therefore itâs hard to believe that Vaccajâs most notable success was neglected for such a long time as it âis an opera that could easily hold its own among the better-known works in the bel canto canon. It has taut plot, with a strong libretto, written by Romani, and is full of well-constructed ensemble piecesâ(Alan Neilson â Operawire) Within a traditional, 16th century setting, director Cecilia Ligorio choses to convey a sense of doom and tragedy which the entire work is imbued with, from the choice of costumes and settings to the stage lighting. âIt really was a well-paced, and visually pleasing production that successfully captured the love and hatred which drives the narrative forward.â(Alan Neilson â Operawire)
This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD players.
Also available on standard DVD
Nicola Vaccaj belonged to the Neapolitan school: a pupil of Paisiello and contemporary of Rossini, whose fame somehow obscured his own, he was well known and appreciated at his time, to the point that an extract from the last Act of his Giulietta e Romeo was chosen to substitute the same aria in Belliniâs I Capuleti e I Montecchi for an 1832 performance and this shift has remained common practice until the end of the 19th century. Therefore itâs hard to believe that Vaccajâs most notable success was neglected for such a long time as it âis an opera that could easily hold its own among the better-known works in the bel canto canon. It has taut plot, with a strong libretto, written by Romani, and is full of well-constructed ensemble piecesâ(Alan Neilson â Operawire) Within a traditional, 16th century setting, director Cecilia Ligorio choses to convey a sense of doom and tragedy which the entire work is imbued with, from the choice of costumes and settings to the stage lighting. âIt really was a well-paced, and visually pleasing production that successfully captured the love and hatred which drives the narrative forward.â(Alan Neilson â Operawire)
Also available on standard DVD
Nicola Vaccaj belonged to the Neapolitan school: a pupil of Paisiello and contemporary of Rossini, whose fame somehow obscured his own, he was well known and appreciated at his time, to the point that an extract from the last Act of his Giulietta e Romeo was chosen to substitute the same aria in Belliniâs I Capuleti e I Montecchi for an 1832 performance and this shift has remained common practice until the end of the 19th century. Therefore itâs hard to believe that Vaccajâs most notable success was neglected for such a long time as it âis an opera that could easily hold its own among the better-known works in the bel canto canon. It has taut plot, with a strong libretto, written by Romani, and is full of well-constructed ensemble piecesâ(Alan Neilson â Operawire) Within a traditional, 16th century setting, director Cecilia Ligorio choses to convey a sense of doom and tragedy which the entire work is imbued with, from the choice of costumes and settings to the stage lighting. âIt really was a well-paced, and visually pleasing production that successfully captured the love and hatred which drives the narrative forward.â(Alan Neilson â Operawire)
$11.55
Original: $32.99
-65%Vaccaj: Giulietta e Romeo / Quatrini, Teatro alla Scala [Blu-ray]â
$32.99
$11.55Description
This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD players.
Also available on standard DVD
Nicola Vaccaj belonged to the Neapolitan school: a pupil of Paisiello and contemporary of Rossini, whose fame somehow obscured his own, he was well known and appreciated at his time, to the point that an extract from the last Act of his Giulietta e Romeo was chosen to substitute the same aria in Belliniâs I Capuleti e I Montecchi for an 1832 performance and this shift has remained common practice until the end of the 19th century. Therefore itâs hard to believe that Vaccajâs most notable success was neglected for such a long time as it âis an opera that could easily hold its own among the better-known works in the bel canto canon. It has taut plot, with a strong libretto, written by Romani, and is full of well-constructed ensemble piecesâ(Alan Neilson â Operawire) Within a traditional, 16th century setting, director Cecilia Ligorio choses to convey a sense of doom and tragedy which the entire work is imbued with, from the choice of costumes and settings to the stage lighting. âIt really was a well-paced, and visually pleasing production that successfully captured the love and hatred which drives the narrative forward.â(Alan Neilson â Operawire)
Also available on standard DVD
Nicola Vaccaj belonged to the Neapolitan school: a pupil of Paisiello and contemporary of Rossini, whose fame somehow obscured his own, he was well known and appreciated at his time, to the point that an extract from the last Act of his Giulietta e Romeo was chosen to substitute the same aria in Belliniâs I Capuleti e I Montecchi for an 1832 performance and this shift has remained common practice until the end of the 19th century. Therefore itâs hard to believe that Vaccajâs most notable success was neglected for such a long time as it âis an opera that could easily hold its own among the better-known works in the bel canto canon. It has taut plot, with a strong libretto, written by Romani, and is full of well-constructed ensemble piecesâ(Alan Neilson â Operawire) Within a traditional, 16th century setting, director Cecilia Ligorio choses to convey a sense of doom and tragedy which the entire work is imbued with, from the choice of costumes and settings to the stage lighting. âIt really was a well-paced, and visually pleasing production that successfully captured the love and hatred which drives the narrative forward.â(Alan Neilson â Operawire)
