Vivaldi: Concerti Per Fagotto V / Sergio Azzolini, L'Onda Armonica
Only now are we fully aware of the true immensity of Vivaldiās concerto repertoire. The violin is by no means the only instrument he favored: the place of the bassoon in his work catalogue is remarkable for its size and stylistic homogeneity, as well as for his solistic treatment of an instrument previously confined to the continuo. Seven new concertos here join the twenty-six already recorded in the first four volumes of the Vivaldi Edition, an anthology Sergio Azzolini embarked on in 2009 with LāAura Soave, and now builds on with LāOnda Armonica.
Only now are we fully aware of the true immensity of Vivaldiās concerto repertoire. The violin is by no means the only instrument he favored: the place of the bassoon in his work catalogue is remarkable for its size and stylistic homogeneity, as well as for his solistic treatment of an instrument previously confined to the continuo. Seven new concertos here join the twenty-six already recorded in the first four volumes of the Vivaldi Edition, an anthology Sergio Azzolini embarked on in 2009 with LāAura Soave, and now builds on with LāOnda Armonica.
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$3.32Description
Only now are we fully aware of the true immensity of Vivaldiās concerto repertoire. The violin is by no means the only instrument he favored: the place of the bassoon in his work catalogue is remarkable for its size and stylistic homogeneity, as well as for his solistic treatment of an instrument previously confined to the continuo. Seven new concertos here join the twenty-six already recorded in the first four volumes of the Vivaldi Edition, an anthology Sergio Azzolini embarked on in 2009 with LāAura Soave, and now builds on with LāOnda Armonica.
