Wagner Without Words / Llyr Williams
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"Lisztâs transcriptions and fantasies on excerpts from Wagner operas are ingenious works that take you inside the music without the distractions, in a sense, of the orchestra and the voices, or 'Wagner Without Words,' to quote the title of this rewarding album by the splendid Welsh pianist Llyr Williams. Here he plays Lisztâs transcriptions ranging from the short, charming âSpinning Chorusâ (from âThe Flying Dutchmanâ) to the mesmerizing âLiebestodâ (from âTristan und Isoldeâ). Mr. Williams offers several of his own ambitious and impressive transcriptions, including his extended scenes from âParsifalâ and his tweaked version of Glenn Gouldâs take on the Prelude to âDie Meistersinger.â There are also some piano pieces by Wagner, including a youthful 26-minute fantasy, a fascinating, if not great, work: you hear the 19-year-old Wagner beholden both to Beethoven and bel canto opera." â Anthony Tommasini, The New York Times
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"Lisztâs transcriptions and fantasies on excerpts from Wagner operas are ingenious works that take you inside the music without the distractions, in a sense, of the orchestra and the voices, or 'Wagner Without Words,' to quote the title of this rewarding album by the splendid Welsh pianist Llyr Williams. Here he plays Lisztâs transcriptions ranging from the short, charming âSpinning Chorusâ (from âThe Flying Dutchmanâ) to the mesmerizing âLiebestodâ (from âTristan und Isoldeâ). Mr. Williams offers several of his own ambitious and impressive transcriptions, including his extended scenes from âParsifalâ and his tweaked version of Glenn Gouldâs take on the Prelude to âDie Meistersinger.â There are also some piano pieces by Wagner, including a youthful 26-minute fantasy, a fascinating, if not great, work: you hear the 19-year-old Wagner beholden both to Beethoven and bel canto opera." â Anthony Tommasini, The New York Times
Description
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"Lisztâs transcriptions and fantasies on excerpts from Wagner operas are ingenious works that take you inside the music without the distractions, in a sense, of the orchestra and the voices, or 'Wagner Without Words,' to quote the title of this rewarding album by the splendid Welsh pianist Llyr Williams. Here he plays Lisztâs transcriptions ranging from the short, charming âSpinning Chorusâ (from âThe Flying Dutchmanâ) to the mesmerizing âLiebestodâ (from âTristan und Isoldeâ). Mr. Williams offers several of his own ambitious and impressive transcriptions, including his extended scenes from âParsifalâ and his tweaked version of Glenn Gouldâs take on the Prelude to âDie Meistersinger.â There are also some piano pieces by Wagner, including a youthful 26-minute fantasy, a fascinating, if not great, work: you hear the 19-year-old Wagner beholden both to Beethoven and bel canto opera." â Anthony Tommasini, The New York Times























