đ Up to 70% Off Selected ItemsShop Sale
1 / 2
Brahms: Piano Quartets Nos. 1 & 3 / Barakhovsky, Zemtsov, Schmidt, Nebolsin
Johannes Brahms is considered Beethovenâs successor in terms of his orchestral output, but for chamber music it was more the Romantic mantle of Robert Schumann that he assumed, vastly expanding its scale and ambitions in the 19th century and remaining a towering influence until well into the 20th. The First Piano Quartet has a deeply felt Andante con moto at its heart, and a sprightly âGypsy Rondoâ finale. Brahms started writing the Third Piano Quartet in the difficult period of Schumannâs final illness, later re-composing it to create a work of symphonic proportions, distinctive power and striking beauty.
-----
The players have the feel of a group who have become welded together by years of mutual performances, the balance between them, as melodies are woven, being so perfectly weighted. The tempos also have that natural feel with scherzos that are never rushed, while the string intonation is impeccable.
â David Denton's Review Corner (November 2016)
-----
The players have the feel of a group who have become welded together by years of mutual performances, the balance between them, as melodies are woven, being so perfectly weighted. The tempos also have that natural feel with scherzos that are never rushed, while the string intonation is impeccable.
â David Denton's Review Corner (November 2016)
Johannes Brahms is considered Beethovenâs successor in terms of his orchestral output, but for chamber music it was more the Romantic mantle of Robert Schumann that he assumed, vastly expanding its scale and ambitions in the 19th century and remaining a towering influence until well into the 20th. The First Piano Quartet has a deeply felt Andante con moto at its heart, and a sprightly âGypsy Rondoâ finale. Brahms started writing the Third Piano Quartet in the difficult period of Schumannâs final illness, later re-composing it to create a work of symphonic proportions, distinctive power and striking beauty.
-----
The players have the feel of a group who have become welded together by years of mutual performances, the balance between them, as melodies are woven, being so perfectly weighted. The tempos also have that natural feel with scherzos that are never rushed, while the string intonation is impeccable.
â David Denton's Review Corner (November 2016)
-----
The players have the feel of a group who have become welded together by years of mutual performances, the balance between them, as melodies are woven, being so perfectly weighted. The tempos also have that natural feel with scherzos that are never rushed, while the string intonation is impeccable.
â David Denton's Review Corner (November 2016)
$4.90
Original: $13.99
-65%Brahms: Piano Quartets Nos. 1 & 3 / Barakhovsky, Zemtsov, Schmidt, Nebolsinâ
$13.99
$4.90Description
Johannes Brahms is considered Beethovenâs successor in terms of his orchestral output, but for chamber music it was more the Romantic mantle of Robert Schumann that he assumed, vastly expanding its scale and ambitions in the 19th century and remaining a towering influence until well into the 20th. The First Piano Quartet has a deeply felt Andante con moto at its heart, and a sprightly âGypsy Rondoâ finale. Brahms started writing the Third Piano Quartet in the difficult period of Schumannâs final illness, later re-composing it to create a work of symphonic proportions, distinctive power and striking beauty.
-----
The players have the feel of a group who have become welded together by years of mutual performances, the balance between them, as melodies are woven, being so perfectly weighted. The tempos also have that natural feel with scherzos that are never rushed, while the string intonation is impeccable.
â David Denton's Review Corner (November 2016)
-----
The players have the feel of a group who have become welded together by years of mutual performances, the balance between them, as melodies are woven, being so perfectly weighted. The tempos also have that natural feel with scherzos that are never rushed, while the string intonation is impeccable.
â David Denton's Review Corner (November 2016)
