
Rubinstein Collection Vol 67 - Brahms, Dvorak
Artur Rubinstein was a youthful 84 when he sat down with the Guarneri players in the spring of 1971 for this recording of the Dvo?ák quintet. His lovely tone and lively phrasing, the clarity of the textures that emerged under his hands, and most of all the instinct he possessed for the singing line, proved infectious and spurred his colleagues to one of their best efforts on record. The sound, while not the best, has good presence. – Ted Libbey, author of The NPR Guide to Building a Classical CD Collection.
Artur Rubinstein was a youthful 84 when he sat down with the Guarneri players in the spring of 1971 for this recording of the Dvo?ák quintet. His lovely tone and lively phrasing, the clarity of the textures that emerged under his hands, and most of all the instinct he possessed for the singing line, proved infectious and spurred his colleagues to one of their best efforts on record. The sound, while not the best, has good presence. – Ted Libbey, author of The NPR Guide to Building a Classical CD Collection.
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Artur Rubinstein was a youthful 84 when he sat down with the Guarneri players in the spring of 1971 for this recording of the Dvo?ák quintet. His lovely tone and lively phrasing, the clarity of the textures that emerged under his hands, and most of all the instinct he possessed for the singing line, proved infectious and spurred his colleagues to one of their best efforts on record. The sound, while not the best, has good presence. – Ted Libbey, author of The NPR Guide to Building a Classical CD Collection.
















