
Searching For Ludwig / Kremerata Baltica, Mario Brunello, Gidon Kremer

Gidon Kremer and Mario Brunello pay tribute to Beethoven by presenting two of his most famous quartets in a version for string orchestra played by Kremerata Baltica. The ensembleâs founder Gidon Kremer directs op.131 from the violin, while Mario Brunello conducts op. 135 and adds two contemporary pieces, one by Leo Ferre, âthe revolutionary, anarchic, inspired singer-songwriter and great lover of Beethovenâ: Muss es sein? Es muss sein! âWe perform this hymn to âfree musicâ in a version arranged by Valter Sivilotti for cello, strings and percussion with Ferreâs original voice⊠Note sconte means âhidden notesâ in Venetian dialect. Franco Rossi, the legendary cellist of the Quartetto italiano, always invited his students, including me, to look for and give importance to the note sconte in the scores of string quartets. I asked Giovanni Sollima to write a piece in memory of Franco Rossi, of his great passion for Beethoven and his note sconte,â comments Mario Brunello. âThese two works form a bridge between Beethoven and our times, giving the expression âSearching for Ludwigâ a concrete reality in sound,â concludes Gidon Kremer.

Gidon Kremer and Mario Brunello pay tribute to Beethoven by presenting two of his most famous quartets in a version for string orchestra played by Kremerata Baltica. The ensembleâs founder Gidon Kremer directs op.131 from the violin, while Mario Brunello conducts op. 135 and adds two contemporary pieces, one by Leo Ferre, âthe revolutionary, anarchic, inspired singer-songwriter and great lover of Beethovenâ: Muss es sein? Es muss sein! âWe perform this hymn to âfree musicâ in a version arranged by Valter Sivilotti for cello, strings and percussion with Ferreâs original voice⊠Note sconte means âhidden notesâ in Venetian dialect. Franco Rossi, the legendary cellist of the Quartetto italiano, always invited his students, including me, to look for and give importance to the note sconte in the scores of string quartets. I asked Giovanni Sollima to write a piece in memory of Franco Rossi, of his great passion for Beethoven and his note sconte,â comments Mario Brunello. âThese two works form a bridge between Beethoven and our times, giving the expression âSearching for Ludwigâ a concrete reality in sound,â concludes Gidon Kremer.
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Gidon Kremer and Mario Brunello pay tribute to Beethoven by presenting two of his most famous quartets in a version for string orchestra played by Kremerata Baltica. The ensembleâs founder Gidon Kremer directs op.131 from the violin, while Mario Brunello conducts op. 135 and adds two contemporary pieces, one by Leo Ferre, âthe revolutionary, anarchic, inspired singer-songwriter and great lover of Beethovenâ: Muss es sein? Es muss sein! âWe perform this hymn to âfree musicâ in a version arranged by Valter Sivilotti for cello, strings and percussion with Ferreâs original voice⊠Note sconte means âhidden notesâ in Venetian dialect. Franco Rossi, the legendary cellist of the Quartetto italiano, always invited his students, including me, to look for and give importance to the note sconte in the scores of string quartets. I asked Giovanni Sollima to write a piece in memory of Franco Rossi, of his great passion for Beethoven and his note sconte,â comments Mario Brunello. âThese two works form a bridge between Beethoven and our times, giving the expression âSearching for Ludwigâ a concrete reality in sound,â concludes Gidon Kremer.
















