The Ghost in the Machine: Music from Mechanical Instruments / Baines, Amyas
This recording is the culmination of 10 years of research by Dr. Emily Baines, and it brings to dazzling life the fascinating and effervescent performance style found in eighteenth-century mechanical musical instruments. It contains never before heard transcriptions of music found in eighteenth-century barrel organs and musical clocks, set for the live performers of Amyas ensemble and a number of other collaborators.
Dr. Baines is a recorder player, lecturer, and musical director working throughout Europe, also specialising in a wide variety of historical woodwinds. She she wrote her doctoral thesis on the role of mechanical musical instruments as sources for 18th-century performance practice. Baines performs regularly for many period instrument ensembles, contemporary groups, music festivals and theatres across Europe.
In addition to her performing schedule, Baines is a lecturer in Music at Brunel University London, Guildhall School of Music & Drama and Shakespeare's Globe Higher Education department, and is regularly invited to other H.E. institutions for guest lectures and practical workshops.
This recording is the culmination of 10 years of research by Dr. Emily Baines, and it brings to dazzling life the fascinating and effervescent performance style found in eighteenth-century mechanical musical instruments. It contains never before heard transcriptions of music found in eighteenth-century barrel organs and musical clocks, set for the live performers of Amyas ensemble and a number of other collaborators.
Dr. Baines is a recorder player, lecturer, and musical director working throughout Europe, also specialising in a wide variety of historical woodwinds. She she wrote her doctoral thesis on the role of mechanical musical instruments as sources for 18th-century performance practice. Baines performs regularly for many period instrument ensembles, contemporary groups, music festivals and theatres across Europe.
In addition to her performing schedule, Baines is a lecturer in Music at Brunel University London, Guildhall School of Music & Drama and Shakespeare's Globe Higher Education department, and is regularly invited to other H.E. institutions for guest lectures and practical workshops.
Description
This recording is the culmination of 10 years of research by Dr. Emily Baines, and it brings to dazzling life the fascinating and effervescent performance style found in eighteenth-century mechanical musical instruments. It contains never before heard transcriptions of music found in eighteenth-century barrel organs and musical clocks, set for the live performers of Amyas ensemble and a number of other collaborators.
Dr. Baines is a recorder player, lecturer, and musical director working throughout Europe, also specialising in a wide variety of historical woodwinds. She she wrote her doctoral thesis on the role of mechanical musical instruments as sources for 18th-century performance practice. Baines performs regularly for many period instrument ensembles, contemporary groups, music festivals and theatres across Europe.
In addition to her performing schedule, Baines is a lecturer in Music at Brunel University London, Guildhall School of Music & Drama and Shakespeare's Globe Higher Education department, and is regularly invited to other H.E. institutions for guest lectures and practical workshops.
